What kid doesn’t love The Chronicles of Narnia? As an 8-12 year old, it was one of my favorite series, and I still enjoy re-reading it as an adult.
The question is: what to read after Narnia? What other fantasy books can satisfy after such a wonderful series?
This question is particularly tricky given the murkiness about magic, magical powers, witches, and sorcerers commonly found in popular contemporary fantasy series. More insidious but even more harmful is the dualism and Gnostic worldview often normalized in fantasy series.
But don’t lose hope! Today I bring you an entire list of wholesome series for your kids and teens to devour after finishing Narnia.
The Chronicles of Prydain by Lloyd Alexander tell a wonderful coming of age story and adventure. Over the course of the five books, a young man named Taran grows from being a rebellious teen to a valiant and courageous warrior, in the process forging friendships, finding love, and helping save a kingdom.
Recommended for 10 and older.
Redwall by Brian Jacques has delighted generations of children with its amusing animal heroes, high feasts, and epic battles. This series is satisfyingly long: a whopping 22 books. Some of the later volumes drag, but be sure and buy the first six books at least, which are excellent!
Recommended for 10 and older.
In the Hall of the Dragon King is the first of Stephen Lawhead’s Dragon King Trilogy. Complete with heroic quests, giant serpents, fair maidens to rescue, and a chilling necromancer to defeat, this series is guaranteed to please fantasy lovers. But it also has a solid plot, well-developed characters, and a Christian worldview.
Recommended for 12 and older.
The Green Ember Series by S. D. Smith is a Narnia-like series of epic adventure and talking animals that gets bonus points for being written with a clearly Christian world view. Best of all, it is free to download as an Ebook so you can preview it before deciding whether to buy a paper copy.
Recommended for 10 and older.
The Ruins of Gorlan is the first book in John Flanagan’s captivating 12 volume Ranger’s Apprentice Series. These exciting tales follow teenage Will and his friends as they grow from impulsive teens into capable adults. Battling evil creatures, they learn to rely on one another. Each possessing a different talent, they must learn to cooperate. The characters do grow older during hte series, so this is a great series to dole out a book at a time as your child gets older.
First book recommended for 10 and older.
Out of the Silent Planet, Perelandra, and That Hideous Strength by C. S. Lewis are the clear must-reads on this list in my opinion. Similar to Narnia in that they are allegorical, they are written for an adult audience and explore deeper questions about creation, the nature of man, and the will for power.
Recommended for 14 and older.
To conclude with the master, everything by J. R. R. Tolkien is naturally recommended for fantasy fans. The Hobbit and The Lord of the Rings Trilogy should be a part of any home library. Don’t forget The Silmarillion and The Great Tales of Middle-earth also! They provide fascinating details about the making of middle earth and the tales of many of the heroes mentioned in passing in the Lord of the Rings.
James Alfred Wight, better known by his pen name James Herriot, wrote a wonderful series of books for adults, in addition to several collections for children. Drawing on his years of experience as a veterinarian in Yorkshire, Herriot wrote his memoirs beginning with All Creatures Great and Small. These memoirs take the form of a series of loosely connected stories, mostly anecdotes about the animals and owners he encountered. Sometimes humorous, sometimes poignant, Herriot’s uncanny gift for storytelling makes these books classics I love to recommend to animal lovers young and old.
“All things Bright and Beautiful, All Creatures Great and Small”
The poem The Creation by Cecil Frances Alexander inspired the titles of Herriot’s books. This poem really captures the spirit with which Herriot approached creation, always marveling at its wonders and seeing the hand of the Creator. In a spirit very similar to St. Francis of Assisi, Herriot cares for each animal, great and small, he encounters. He embodies a great example of stewardship of creation, often helping animals whose owners have no way to pay for his services. His great love for nature surpasses the boundaries of Kingdom Animalia. He also loves natural beauty, often describing the breathtaking vistas of the Yorkshire dales with the affection of a lover.
Community and good old-fashioned virtues praised.
Herriot writes of a different generation and lifestyle. He describes a now old fashioned way of life based on hard work and simple pleasures. Both Herriot himself and the farmers he encounters endure back-breaking work, whether birthing cows or forking hay. They enjoy good food, family time, and the occasional treat of an outing to a concert. The lack of technology and slow pace of life is a shock, perhaps a necessary one, to the twenty-first century reader. Was Herriot’s generation more peaceful in their hard labor? Happier in their simple pleasures?
Community is of great importance to Herriot. Neighborliness is an important quality in an isolated, low-tech community- even if the nearest neighbor is a mile away! The farmers are almost always hospitable and kind, taking care of the vet with a cup of tea and a seat by the fire after a call. In return, Herriot and his partner Siegfried often extend credit to cash-strapped customers.
Any questionable content?
Herriot’s memoirs are somewhat autobiographical. He recounts his charming, clean story of falling in love with Helen, his future wife. This is no more graphic than the description of a few kisses. On the other hand, the young veterinary student, Tristan, is a wild college student who is described as having several lady friends. Nothing graphic again, but the insinuation is that he knows them rather too well.
Tristan is also described as being frequently drunk. Herriot’s partner in the firm, Siegfried Farnon, is also occasionally described as drunk, and even rarely Herriot himself. Usually the consequences of drunkenness are portrayed as unpleasant: embarrassment at the least, or even a lost client. But occasionally Herriot does recount a drunken episode with a humorous twist.
The only other caveat I have about these books is the occasional foul language. The farmers are earthy men who swear when angry. Their language ranges from taking the Lord’s name in vain to the occasional f-word. The language is infrequent enough that is easy to take a permanent marker and cross out any words you don’t want your teens reading.
Who will enjoy the James Herriot books?
Anyone who appreciates a masterfully told anecdote with a lilting rhythm punctuated by impeccably timed punch lines. Anyone who loves animals and nature. Anyone who likes autobiographies, comedy, or a sweet love story. Really, I find it hard to imagine anyone not enjoying these books. I wholeheartedly recommend them for teens and adults who are looking for a light-hearted series.
Most teenage girls go through a stage of craving romance novels. Beware of letting your daughter even browse the romance section of your library these days though! She will be bombarded with sensual images on covers and graphic content within. Even many “Christian” romances are heavy on the sensuality and low on any sort of inspiring theme.
What should you look for in a romance for a Catholic teenager? There are the obvious “no’s”: no graphic sexual content, no positive portrayal of premarital sex, no living together before marriage, no dark drama about failing marriages. But a worthwhile romance is so much more than a list of “no’s.” Great romances showcase the true nature of love and humanity.
What is true love? It’s desiring the good of the other. Some of the greatest romances ever written explore this theme, like A Tale of Two Cities, in which Sydney Carton undergoes an incredible redemption and gives his life for the good of the woman he loves. Truly great romances will portray true love as selfless, giving, or redemptive. These type of romances often show the love between a man and woman as reflecting the love of God for us.
Is any human being perfect? Is love a feeling or a choice? Great romances do not portray the protagonists as perfect in every way. They often show that all people are imperfect, and forgiveness is the way to happiness. Or that true love isn’t just a magical feeling, but sticking together when life is tough and rekindling the flame of love in the face of adversity.
Are humans made for solitude or community? As much as we might sometimes envy the hero and heroine of Riders of the Purple Sage who push a boulder and cut off the rest of the world, this is not reality. Worthwhile romances usually have greater depth than a simple boy-meets-girl-engagement-marriage story line. They examine relationships with family, community issues, world events, or other broader topics.
Fortunately for your teenage daughters, there are plenty of novels which combine love stories that range from passionate to funny with worthwhile themes.
Here are a few of my favorite novels for teens that have themes about true romance and love.
The Scarlet Pimpernel by Baroness Orczy is such a wonderful combination of adventure, intrigue, and romance. This classic novel has a strong romantic plot about an estranged husband and wife falling in love with each other that teens will love. And it also has great themes about sacrificial love and forgiveness that parents love to see their kids reading.
The Story of the Trapp Family Singers by Maria Augusta Trapp is particularly powerful because it a true story. The real Maria who inspired The Sound of Music writes with a simple, charming voice how she met her future husband and family. This is a love story about Maria and the Captain, but also an example of a loving relationship in the context of family, community, and society.
They Loved to Laugh is another love story where love is experienced on several levels. It has great themes about family, friendship, and forgiveness.
The Rose Round is by the wonderful Meriol Trevor, a fantastic Catholic author who wrote one of my favorite children’s series, The Letzenstein Chronicles. The Rose Round is intended for a teen audience and follows a brother and sister pair who both find friendship and love in unlikely places. It has a great theme about looking beyond physical appearance to determine personal worth.
The Light Princess by George MacDonald is a classic fairy tale about a princess who loses her gravity, physically and emotionally. Only true sacrificial love from a prince can restore her to health and balance.
This list would be incomplete without some Louisa May Alcott! Though Little Women focuses mostly on sister-relationships, other Alcott books like Rose in Bloom and An Old-fashioned Girl are about finding love, sometimes in unexpected places. Rose and Polly learn to remain true to their beliefs and wait for a man wiht a pure heart.
Mara, Daughter of the Nile is an exciting historical fiction novel about a fiery teenage girl who becomes deeply involved in palace intrigues, caught between two rivals for the Egyptian throne. Oh, and of course there is romance too. I love how this story shows Mara’s growth from utter selfishness to understanding the sacrificial nature of love.
Manalive by G. K. Chesterton is another book that fits many genres. I call it a romance for two reasons. First, because it teaches the reader that everyday life is romantic. Second, because a third of the book is about two characters falling in love and fighting in court to be allowed to marry.
Here are some novels with romantic plots I recommend for teens over 14.
Funny and memorable, My Heart Lies South is a true story about a young American journalist who falls in love on a trip to Mexico and ends up staying. Readers will love this amusing love story that also touches on the difficulties of assimilating into a different culture and family.
Do not assume all of Gene Stratton-Porter is appropriate for teens, but Laddie: A True Blue Story is really a charming story told by Laddie’s Little Sister, who explores themes about family, nature, redemption, and forgiveness. She also recounts how Laddie fell in love with and won the heart of a Princess.
Freckles is another great book by Gene Stratton-Porter. Similar to Laddie in many ways, a simple lad must win the heart of a high-born girl. A charming romance, and a great story of personal growth and overcoming disability.
The Robe is the story of one man’s quest for love and truth. He finds it in Christ. But he does also find love with a special young woman, which teen readers will enjoy.
The James Herriot Books are the funny and endearing stories of everyday life as a country veterinarian. James Herriot weaves his story of wooing and winning his wife into his animal anecdotes.
[Parental warning: mild language]
Everyone knows that teenage girls should read Pride and Prejudice, but don’t stop there. Read The Jane Austen Collection for more classic stories about finding love, with a side of social commentary and comedy.
[Parental warning: mentions of out of wedlock relationships, illegitimate children, mistresses]
The Virginian is a classic western full of cowboys, shoot-outs, and true love. With his quiet humor and gentle nature, the reader is rooting for the Virginian to win the lady.
A Tale of Two Cities is, as I mentioned above, a stellar example of how true love is sacrificial. No-good Sydney Carton never does get the girl, but his pure love for her ends up being his redemption.
P. G. Wodehouse is best known for his Jeeves and Wooster novels, but he also wrote some hilarious romantic comedies such as the Adventures of Sally. Many of his Blandings Castle novels also include a strong romantic plot, such as in Heavy Weather and Summer Lightning.
A School for Unusual Girls: A Stranje House Novel is the first in a series of historical fiction novels about the Napoleonic Wars. Each book includes a love story, which is kept carefully PG. Strong female heroines abound in these novels.
[Parental warning: one of the girls is wilder and does break some of the rules, occasionally is described as dressing in a more risque fashion, etc. There is also mention of someone keeping a mistress, which is portrayed negatively.]
[Parental warnings: one scene of attempted date rape in the very first book]
Older teens (16+) will enjoy these more difficult novels.
A classic mystery, The Woman in White by Wilkie Collins is driven by a romantic interest. The protagonist and narrator must solve the mystery of who the woman in white is in order to gain a happily ever after with his wife.
Andrew Peterson’s Wingfeather Saga consists of four volumes: On the Edge of the Dark Sea of Darkness, North! Or Be Eaten, The Monster in the Hollows, and The Warden and the Wolf King. I recently enjoyed reading all four books for the first time, and was quickly captivated by Peterson’s realistic characters and the fascinating world of Aerwiar. The Wingfeather Saga is the story of a family: the former royal family of Anniera, now in hiding from the great evil one, Gnag the Nameless. Each of the three children- Janner, Kalmer, and Leeli- has a special gift and role to play in saving their world from the great evil. Children and teens who love fantasy will certainly enjoy these novels with a subtle yet decidedly Christian world view.
In the tradition of the Chronicles of Narnia, the Wingfeather Saga is not overtly pushing a Christian agenda, yet details throughout reflect the author’s Christian worldview. “The Maker” is referenced repeatedly throughout the series as the creator of the world of Aerwiar. In times of need, the children call on the Maker for aid, and sometimes receive it. There are many references to all things ultimately being in the Maker’s hands. There is even a major theme throughout of the Maker bringing good out of evil:
“Gnag bends things for breaking, and the Maker makes a flourish! Evil digs a pit, and the Maker makes a well! That is his way.”
There are also many parallels to the Biblical story of Creation in the history of Aerwiar: a first couple created by the Maker, evil entering the world through misuse of free will, and so on.
SELF-SACRIFICE AND REDEMPTION
In line with the Christian worldview, major themes in The Wingfeather Saga are self-sacrifice and redemption. Janner is repeatedly placed in situations where he must choose between self-preservation and protecting his siblings. At first he resents this duty to sacrifice himself, but by the end of the series recognizes his selfishness and embraces the Biblical ideal of laying down one’s life for one’s brother.
There are several characters who undergo redemption of various sorts. For example, Kalmar is “fanged” (changed into an animal) when in a time of weakness he loses hope and succumbs to the desire for power. With Janner’s help, Kalmar repents of his sin and regains humanity in the end. Another notable redemption is of the villain in the series, Gnag the Nameless. Peterson accomplishes the difficult feat of portraying Gnag as utterly evil, yet by a strange concatenation of circumstances redeeming him in the last seconds of his life.
Another wonderful aspect of The Wingfeather Saga is its positive portrayal of family love and loyalty. The three siblings overcome jealousies and resentments to forge a close bond. The relationship between the brothers, Janner and Kalmar, is particularly noteworthy for its loyalty and sacrificial aspect. Their mother, Nia, is truly awesome: loving, supportive, protective, always willing the good for them. Their father, Esben, is believed to be dead, but eventually comes into the story and (here’s the self-sacrifice theme again) gives his life to save his children’s.
THE POWER OF MUSIC
Music as healing, music as an art form, music as a weapon. Music comes into the book over and over as a powerful force for good. Leeli is a skilled whisle-harpist, and her music saves lives, tames animals, and can carry messages. The pure of heart are roused to courage and imbued with energy when they hear her music. The evil cringe and cover their ears at the beauty of her music.
One of the trickiest parts of finding good fantasy novels is evaluating the “magic” factor. What does the author mean by magic? Does he equivocate about whether magic is good or evil? Does he encourage children to dabble in magic?
I found that Peterson had a unique approach to the magic question. In The Wingfeather Saga, there are no spells, potions, or witches’ hats. Instead, Peterson uses the term “magic” to be more synonymous with “mystery.” Nia explains the magic of Leeli’s music to her children:
“What’s magic, anyway? If you asked a kitten, ‘How does a bumblebee fly?’ the answer would probably be ‘Magic.” Aerwiar is full of wonders, and some call it magic. This is a gift from the Maker- it isn’t something Leeli created or meant to do, nor did you mean to see these images. You didn’t seek to bend the ways of the world to your will. You stumbled on this thing, the way a kitten happens upon a flower where a bumblebee has lit. … The music Leeli makes has great power, but it is clear the Maker put the power there when He knit the world.”
Portraying magic as synonymous with a mystery may be slightly confusing for younger readers, so I would discuss how Peterson portrays magic with my children when they read this book.
I ascribe to Michael O’Brien’s views on dragons (see my post Concerning Dragons), so I approached a series which I knew contained dragons with major misgivings. I found Peterson’s views on dragons slightly nebulous. He doesn’t try to make them good, portraying them as having done many dark deeds such as sinking the mountains and destroying the countryside. The primary dragon character, Yurgen, is vengeful, destructive, and lusts for power. But Peterson also doesn’t consider all dragons as inherently evil. Upon hearing Leeli’s music, a few dragons are even moved to contrition for their past evil deeds and end up helping in a final battle for Aerwiar.
Overall, the dragons come into the story fairly infrequently and are not major characters. The question is whether the “redemption” of a few dragons is a form of demythologizing? Does it contradict the centuries of western tradition which use the dragon as a symbol for evil? I think Peterson does unintentionally contradict tradition here a bit. But given how overwhelmingly Christian and wholesome these books are as a whole, this is another time where I would discuss the dragon question with my children when they read the books.
WHO SHOULD READ IT?
Overall, The Wingfeather Saga is refreshingly clean from any sexual content, adult humor, and language. There are, however, loads of violent battles. Note that the descriptions of the battles are not graphic like in “The Maze Runner” or “The Hunger Games”. But still, you have Janner and Kalmar killing many fangs in self-defense. A couple beloved characters such as Leeli’s dog and grandfather also die. Given the violence and the need for a nuanced discussion about magic and dragons, I would recommend this book for those over 12.
The Weka-Feather Cloak: A New Zealand Fantasy is a fairly recent young adult fantasy set in New Zealand. Author Leo Madigan attempted to produce an engaging fantasy story which stretches the limits of time and space, while also writing a book deeply imbued with a Catholic vision. Catholic parents can rejoice that Madigan succeeded in his mission. Here is a young adult novel that parents can happily hand to their teens without fear of excessive violence, inappropriate content, or a secular agenda. On the contrary, teens will glean a wealth of positive lessons and experience a deeply Catholic worldview.
The Weka-Feather Cloak is the story of Danny Mago, a Maori boy coming of age in New Zealand. Quiet, artistic Danny’s life is forever changed when he meets the mysterious new student at school, Zelia, and begins to work for a strong-willed nun, Mother Madeleine. Danny finds himself suddenly involved in an angelic mission, experiencing time travel, and helping Zelia recover a precious relic lost for centuries.
EXCITING ADVENTURE AND FANTASY WITH A CATHOLIC FLAVOR
This book is not a fantasy in the common sense of taking place in an imaginary world such as Middle Earth or Narnia. Instead, it takes place in New Zealand; the fantasy element comes from an elevator which can bridge time and space. Instead of elves or wizards, this book’s nonhuman characters are angels and demons. I loved the uber-rational angel who helps Danny understand his mission, and shuddered at the demon who attempts to thwart it.
Sometimes, The Weka-Feather Cloak is reminiscent of Indiana Jones adventures. Danny and Zelia are racing to save a precious relic of Christ from the villain William Kydd. The exotic New Zealand locale, quest for a precious historical artifact, and other-worldly elements of angels and demons impacting human events are sure to intrigue teenagers as much as Raiders of the Lost Ark.
But unlike an Indiana Jones film, in The Weka-Feather Cloak Danny must turn to spiritual weapons to defeat the demon. He finds strength in saying the rosary, protection in wearing a crucifix, and eventually defeats the demons through a liberal use of holy water. Because Danny is a small, shy teenager, he must learn to turn to God for help. He is a great example of what St. Paul means in 2 Corinthians 12:9 when he talks about God’s power being made perfect through human weakness. If Danny had been less frail, he might not have realized how much he needed God’s help.
A final particularly Catholic flair to this book comes from the intriguing glimpses Danny gets into eternity. Danny gets to see what angels may be like. He gets to experience some of the attributes of a glorified body. Most of all, he gets to see history from a perspective outside of time.
APPRECIATING GOD’S CREATION
New Zealand is breathtakingly beautiful: a fitting setting for this story which has major themes dealing with art and beauty. The book contains some truly beautiful descriptions of nature and what it reveals about our Creator:
“These vast continents with their mountains, deserts and rain forests, were a letter written by the Creator to mankind, a letter which told of his tender good-will, of his greatness and of his capacity to be little, of all his infinite variety of shade and color and light and impenetrability, it said everything mankind needed to know about him until he was ready to tell more.”
Little gems like this paragraph are tucked into this exciting adventure, making the reader pause and revel in the beauty of creation.
Another theme about beauty is that spiritual beauty is more important than mere physical beauty. Danny has a certain clarity of vision which allows him to see the beauty in a humongous, elderly nun, or in his disabled sister.
SEEING SPECIAL NEEDS ADULTS THROUGH GOD’S EYES
Danny’s older sister Angela has a neurological disability which renders her mute and confined to a wheel chair. From the beginning of the book, Danny’s attitude towards Angela is truly beautiful. He says that having a sister like her is a “strange, mysterious gift.” Danny and Angela have their own private sign language to communicate. Danny confides his deepest secrets to Angela, who sometimes gives him amazingly wise advice. Yet it is not until Danny experiences a miraculous journey outside of the normal time-space continuum that he sees Angela in all her beauty and potential as she will be in heaven.
ENCOUNTER INTERESTING SAINTS AND RELIGIOUS
Both while traveling through time and at home in New Zealand, Danny meets fascinating saints and religious who are friendly, fascinating people. He meets Lady Juliana of Norwich in 1399 and learns about the Eucharistic and God’s will while enjoying her hospitality and kindness. He also gets to meet Fra Angelico and the Silvestrine monks, learning how to create a fresco and participating in a snowball fight.
Back in current-century New Zealand, Danny becomes acquainted with the redoubtable Mother Madeleine and her eclectic order of nuns. Sister Eileen is admired and respected even by bullies. Sister Paula has a dry sense of humor and a practical bent. Mother Madeline herself is wise and simple, extroverted and shy all at once. From all of them, Danny learns that the path to sainthood is for everyone.
CAVEATS AND CONCLUSION
This wonderful novel is great for teens and even mature tweens. One aspect for parents to consider is that it features some truly disturbing demons, clawed, hooded, and fire-breathing that terrorize Danny on several occasions. Beware these descriptions if you have an extremely sensitive tween or young teen. The only other potentially problematic point is that there is a decent amount of bullying described. Danny is called a “maggot” and threatened by the bigger kids at his high school on multiple occasions. However, on the positive side, these same bullies do eventually cooperate with Danny to save the day so there is some redemption here. Other than these two areas, the The Weka-Feather Cloak is a joy to read! And it’s on a steep discount at Amazon right now: half off!
The Drovers Road Collection by Joyce West could be described as a New Zealand Little House on the Prairie. I cannot say enough good things about this trilogy, yet sadly it is little known in the United States. Tweens and Teens who love adventures, a story with a strong female protagonist, and a generous dose of humor, will enjoy Drover’s Road.
These adventures are narrated by Gay Allan, a lively and adventurous girl growing up on a New Zealand sheep station. The trilogy begins with Gay and her three cousins’ humorous escapades as they “help” their Uncle Dunsany on his ranch, deep in the Maori country. The cousins may be far from civilization, but life is never quiet at Drover’s Road with its colorful cast of characters both human and animal. In Cape Lost, Gay describes growing into a young woman, experiencing first loves and heartbreaks. But don’t worry; Gay, true to her name, is always resilient and able to see the humorous side of her adventures as she comes of age. The final book, The Golden Country, is Gay’s story of taking over a sheep station of her own as a young adult.
What makes these stories so worthwhile and memorable is Gay’s worldview, wise beyond her years yet still joyful. Growing up on a sheep station, she is used to hard work and responsibility. Yet she is also gentle-hearted and merry by nature. In each chapter, whether funny or poignant, a disaster or celebration, she provides a lesson for the reader without moralizing.
Drover’s Road is a story of a different era a century ago, when cell phones and the internet were not even imagined. Gay and her cousins fill their days taming wild horses, building a hideaway under a waterfall, hunting treasure, and playing matchmaker to their various relations. I think reading about their adventure-filled, joyful lives is a great inspiration to today’s teens and tweens to turn away from their screens and consider what real adventure might look like.
Despite being an old story when it comes to technology, Gay’s atypical family situation may strike a chord in today’s kids. Gay and her three cousins are all being raised by their young uncle and a distant cousin, “Aunt” Belle. Their parents all either died or abandoned them. Though they have an idyllic life on the cattle station, the cousins still experience a sense of missing and emptiness over their lost parents. Later in the books, Gay delves into her difficult relationship with her father, whom she struggles to forgive.
The romance is light and clean, and there is no language or violence. This wonderful book is perfect for twelve and older. The only sad part is that it is out of print so you have to buy it used here, or you can buy it as an e-book from publisher Bethlehem Books or on Amazon.
If you enjoyed my last list of Good Books for Catholic Kids that are also Good Movies, here is a companion list for older teens, young adults, and parents too! How much fun would it be to have a book club that read one of these books, discussed it, and then watched the movie together?
To begin with the obvious, J. R. R. Tolkien’s The Lord of the Rings is such a masterpiece of fantasy and literature that if your teenager has not read it yet, they most certainly should! And the Lord of the Rings movies are a splendid adaptation, mostly because they tried to stick to the book as closely as possible even if that resulted in a 10 hour plus movie.
Another amazingly successful adaptation is Stephen Fry and Hugh Laurie’s TV series Jeeves & Wooster. I am a die-hard fan of P. G. Wodehouse’s Jeeves & Wooster books, which are each comedic masterpieces. But I happily admit that Fry and Laurie so capture the dynamics of Wodehouse’s hilarious duo that it is difficult to choose whether to read or watch in this case!
Yet another brilliant adaptation: the BBC version of Jane Austen’s book Pride and Prejudice. The book is a classic of wit and wisdom, humor and human nature. And it is hard to imagine a better adaptation than the Pride & Prejudice starring Colin Firth and Jennifer Ehle.
While talking about Jane Austen, another enjoyable adaptation is the Sense and Sensibility movie starring Emma Thompson. The book Sense and Sensibility is a less mature Austen work stylistically than Pride and Prejudice, but still a worthwhile novel about two impoverished sisters with very different personalities.
For animal lovers, James Herriot’s humorous and touching memoirs beginning with All Creatures Great and Small will be a true joy to read. These were my very favorite books as a teenager, and I still enjoy re-reading them as an adult. These books were made into six seasons of an enjoyable TV series: All Creatures Great & Small. Parental advisory: books and shows contain some colorful Yorkshire cursing at times.
North to Freedom is a powerful book by Ann Holmes about a boy who grows up in a Nazi concentration camp and finally escapes. His wide-eyed wonder at the world outside the camp, and journey to find his family, is sure to bring tears and smiles. The awesome movie adaptation is as least as good as the book and is called I Am David. This is a fun one to watch with both mature tweens and teens.
Little Women by Louisa May Alcott is the classic story of Meg, Jo, Beth, and Amy, who grow up during the Civil War. There are many movie adaptations, but I like the old Little Women with Katherine Hepburn as Jo best. Another fun one for all teenagers.
Gone with the Wind is a unusual book movie duo in that the movie is actually appropriate for a younger audience than the book. The book Gone with the Wind is a magnificent, sweeping account of the Civil War and its impact on Southerners, seen through the lens of the memorable and irrepressible Scarlett O’Hara. Although a must-read for adults, parents should be advised that the book contains content dealing with subjects like adultery, fornication, and prostitution. I would recommend it for older teens, who will also love the movie Gone with the Wind. Starring Clark Gable and Vivian Leigh, the movie is great in its own right, though there is no way to really adequately condense the 800+ pages of the book to a two hour film.
Who doesn’t love The Sound of Music? This beloved film was inspired by the real life Trapp Family. The Story of the Trapp Family Singers, the real Maria Augusta Trapp’s version of the family’s story, is charming and inspiring and even better than the movie! (Appropriate for fourteen and up.)
Brideshead Revisited by Evelyn Waugh is a Catholic classic. Best understood and enjoyed by older teens, this is a story of great sin and redemption, a war torn world, a family destroyed, and an unexpected conversion. An acclaimed TV series was produced based on the book: Brideshead Revisited . The movie is best for college aged and older, mostly due to one unfortunate scene involving adultery.
A Tale of Two Cities is one of the most popular and easily read of Charles Dicken’s numerous works. Historical fiction about the French Revolution, it is a touching story of love and sacrifice juxtaposed with the horror of the guillotine. The 1935 movie A Tale of Two Cities is a good adaptation if you enjoy older movies.
I’ve done a review for you on why I think The Hunger Games is acceptable reading for older Catholic teens. If you agree, your older teens will be thrilled to also watch The Hunger Games movie. Yes, it is violent, and I would recommend this book and movie for high schoolers and older, not younger teens.
The Count of Monte Cristo by Alexandre Dumas is a wonderful novel about revenge and redemption. The movie The Count Of Monte Cristo is entertaining, but does fail to capture one of the major themes of the book: that revenge is not the right answer. I would recommend watching it for discussion purposes to see how differently Dumas and the movie producers viewed happiness and revenge. There is one scene of implied fornication (easily skipped) that makes this more appropriate for older teens.
Recently, Christie’s book Crooked House was adapted into a creepy, captivating movie: Crooked House. Her book Ordeal by Innocence was also adapted into a multi-episode Amazon Prime series of the same name. These two films deal with more chilling evil and some adult content which make them more appropriate for viewers over 18.
The Scarlet Pimpernel by Baroness Ocrzy has always been one of my favorite novels. This fascinating historical fiction novel captures the terror of the French Revolution and also has one of the most memorable love stories in literature. The old black and white adaptation, Scarlet Pimpernel, starring Leslie Howard and Merle Oberon has wonderful acting and is my favorite, despite the the blurry film quality common in early black and whites. The Scarlet Pimpernel made more recently in 1982 with Anthony Andrews and Jane Seymour is also excellent, though parents need to beware of one scene, fairly easily skipped.
A School for Unusual Girls: A Stranje House Novel by Kathleen Baldwin is a fast-paced alternative historical fiction novel that offers the reader a captivating blend of adventure, romance, and mystery. This first installment in the Stranje House novels is told by Miss Georgiana Fitzwilliam, a young lady of noble birth and many talents. Unfortunately for her, being a brilliant mathematician with a scientist’s curiosity is not an asset to a young lady in 1814. Exiled to Stranje House by her exasperated parents, Georgiana finds herself swept up in a world rife with mystery, romance, and most importantly opportunities for a girl with unusual abilities.
In contrast to many teen novels I read (like my recent experience with “The Selection”), I actually enjoyed Kathleen Baldwin’s writing style and plot. She writes a swift moving story without sacrificing descriptive language and character development. One of the parts I most appreciated was that while Georgiana was clearly the heroine of this book, the other girls at the school also receive character development and seem to be fascinating people too. This harmonizes with one of the major themes in A School for Unusual Girls: acceptance, both of your own gifts and those of others. Each of the girls at the school is highly gifted in their own unique way, but has been rejected by society for not fitting the accepted mold for young ladies. At first Georgiana envies her schoolmates their beauty or talent in other areas, but in the end comes to peace with accepting the gifts she has been given and appreciating what her friends have without jealousy.
The main problem in A School for Unusual Girls is a typical one in secular teen novels: God and religion are left completely out of the world of Stranje House. Personally, I do not see this as a reason to utterly discount a well-written book, as long as your teenagers are noticing the void. In the area of sex, parents need to know that the “romance” in this novel borders on sensual at times, with some passionate kisses. There is also a point in the plot where one of the girls dresses seductively to distract some soldiers. For these latter reasons, I would suggest parents use their judgment in determining the appropriate age for their teens to read this. I would not this book recommend for a girl younger than fourteen.
THE BOTTOM LINE A School for Unusual Girls may not be great literature on par with Leave It to Psmith, but it a thoroughly enjoyable novel with some encouraging themes for teenage girls. I do not see boys enjoying this book at all, but it will resonate with teenage girls who may not quite fit in easily for some reason, whether that be introversion, unusual interests, high intelligence, or something else entirely. I hope this book will encourage girls to explore and develop their individual, God-given gifts.
My post Good Catholic Books for Catholic Preschoolers and Kindergarteners is one of the most searched and read on this site, so today I was inspired to write a similar post aimed at Catholic teens. If you are looking for confirmation gift ideas or just good books about the Catholic faith, inspiring saints, and captivating conversions to add to your library, here is the list for you.
For older teens, Louis de Wohl’s biographies of saints are great inspirational reading. He does a fine job of portraying the saints as fallible human persons who achieved sainthood by responding to God’s call in their lives. A note of warning: Louis de Wohl’s books do contain occasional mild sexual content, so I recommend them for older teens only at parental discretion.
George Weigel’s Letters to a Young Catholic is a fascinating tour of important historical Catholic sites, combining architecture, history, and faith into a seamless, captivating series of letters.
Jason and Crystalina Evert’s books Pure Manhood and Pure Womanhood are fantastic, short and sweet answers to questions teenagers have about dating and sex.
All Things Girl: Truth for Teens is a spectacular gift for a Catholic teenage girl! This book offers chapters on everything from modesty and fashion to social media and peer pressure. An awesome resource for Catholic moms as a discussion starter also.
Youcat by Cardinal Schonborn was designed with the input of high schoolers on the design team to create a visually appealing version of the Catechism to appeal to a teenage audience. If your teenager wants color images and is turned off by the weight of the full Catechism of the Catholic Church: Second Edition, then this would make a great Confirmation gift.
I AM_ by Chris Stefanick is an awesome book to give a teenager or young adult. Stefanick leads the reader to recognize that they are beautiful, courageous, strong, fearless, precious, and lovable. This is a message teenagers desperately need to hear. Each word has a short anecdote and meditation or prayer. Chris Stefanick writes in a very simple, conversational tone that will easily appeal to teenagers, even those with a short attention span!
Resisting Happiness by Matthew Kelly explains how to break past our own procrastination and laziness and choose the happiness we all desire deep in our hearts.
The Hunger Games by Suzanne Colllins was a smashing success, inspiring a plethora of dystopian young adult novels, none of which are remotely as gripping in my opinion. For Hunger Games is undeniably a well-told story with captivating characters. Collins uses the first person present tense: an unusual choice, but unexpectedly successful in drawing in the reader and providing a memorable voice for the heroine, Katniss.
To fill you in on the plot, Hunger Games is the story of Katniss Everdeen, a teenager who is chosen as a “tribute” or contestant in a mandatory “game” (fight to the death) between 16 children imposed as a punishment on the 12 districts of post-nuclear war Panem by its authoritarian government, the Capitol. The first book focuses on the two tributes from District 12, Katniss and Peeta’s, preparations, the game, and its aftermath. Book Two, Catching Fire, brings Katniss and Peeta back for another round of the games, and introduces a new plot line about Rebels working to overthrow the Capitol. Book Three, Mockingjay, describes Katniss’ uneasy alliance with the rebels, ostensibly to overthrow the Capitol, but in reality to get revenge on those she holds responsible for destroying her life.
There are a good number of problems with these books on a philosophical and moral level, some serious, so this is a series which it is important to discuss with your teenagers and encourage them to read with analytical attention. A first theme to have them watch for is the attitude towards religion. Or rather, the lack of any attitude towards religion. In fact, make that no mention of religion or God at all. For Panem apparently came to exist in a vacuum in which no one even thinks of a creator or supreme being, even to curse him. This complete and intentional refusal to even allow the characters to mention any religious sensibility is a glaring moral problem with the series, but honestly I also think one can see a theme here that a world that has no religion and no recognition of God is a harsh, barbaric world. Little wonder that one ends up with the horror of the Hunger Games when mankind is making up its own morality based on no objective moral standards. The real wonder is that Katniss, Peeta, and others actually do show loyalty, kindness, and compassion. In my opinion, despite an obvious attempt to remove God from the picture, Collins’ portrayal of good and bad characters and default to natural law morality still reflects the reality of God.
Another problematic theme in this series is revenge. Katniss cares deeply about friends and family, and spends much of the later books motivated by her desire for revenge on those who harmed her loved ones. Collins sometimes even portrays her desire for revenge as a somewhat laudable motivation. The question for Collins is not whether revenge is the answer, but who is ultimately responsible for the pain and suffering and deserving of death. Not should one take revenge, but upon whom should one wreak vengeance? Katniss, deeply damaged by her experiences, declares she wants the Hunger Games played out again by the Capitol children as a punishment. Readers need to realize that her desire for vengeance is disordered, again pointing back to the problems with removing God and eternity from the worldview. A fitting companion book to read is The Count of Monte Cristo, which has a powerful theme about revenge not ultimately bringing fulfillment or happiness.
Unsurprisingly given the lack of any belief in God or afterlife, suicide receives a troubling treatment in the Hunger Games. In the climatic final scene of the Hunger Games in the first book, Katniss and Peeta defy the Capitol by threatening to kill themselves rather than kill each other. This solution is cleverly designed by the author to portray suicide as a noble course of action in certain circumstances. Of course, as Catholics we know that suicide is never acceptable, and a discerning reader can point out that there were other options for Katniss and Peeta. For instance, they could have simply refused to fight at all and let themselves be killed by the mutant dogs that had been attacking them. Defying the Capitol did not need to involve a suicide threat.
One final negative influence I will point out is the theme that adults are incapable or unreliable. Almost without exception, the adults in the story disappoint Katniss and thrust her into taking an adult role herself. Her mother suffers from severe depression and her father is dead, so she is the head of her family from the age of 12. Her mentor for the games is a drunkard. The authority figures in the Capitol are the sick individuals who ordered the Games. The head of the Rebels proves to be as heartless and scheming as the Capitol rulers. Collins places Katniss into a world where every adult fails her, forcing her into the role of heroine and Rebel figurehead as a sixteen year old. The real wonder is that Katniss seems to understand intuitively how to be a leader given her complete dearth of positive role models.
Now while I clearly do not wholeheartedly embrace the Hunger Games as a moral tale, I do think there are some worthwhile positive themes that cancel the negative and make this series acceptable reading material. A first positive moral in this series is the theme that violence is bad. There is an odd dichotomy between the amount of violence described in the series, and the theme that violence is wrong: that violence is never the answer. In the first book, Katniss finds herself forced into scenarios where she must kill or be killed, but what sets her apart from most other players in the Games is her attitude that the violence and killing is wrong. Katniss sees killing human beings as horrible, and through her perspective so does the reader. This positive message about violence does become murkier as the series progresses, with the third book particularly devolving towards more gratuitously described violence and a damaged Katniss starting to become numb. I do think that Collins’ conclusion of the series with Katniss portrayed as a troubled, haunted woman who cannot move past the violence and trauma she has witnessed and endured is accurate and an important point to emphasize.
The overarching redeeming theme in the Hunger Games series is the positive message that human beings are persons to be valued, not objects to be used. Katniss’ charisma comes from her ability to see the people she meets as human, her compassion for them, her humanization of those she meets. The moments that everyone in the entire country loves her, such as her flower burial of a murdered 12 year old in the arena, are the moments when she combats dehumanization and makes everyone see the dignity of each person. Similarly, Peeta, the “good” character, is first seen as such for his kindness to Katniss and other people, even trying ones. His goodness is that he treats Katniss as a person from childhood onward. In contrast, the other character in the love triangle, Katniss’ friend Gale, loses her to Peeta because she cannot bear that he begins to treat people like animals. Likewise, the evil Capitol devalues human life, sentencing children to a sick game of slaughtering one another. The goodness or badness of persons and entities in the Hunger Games series is closely tied to their recognition or dehumanization of human persons.
Another theme that makes Hunger Games beautiful and memorable is that even in a brutal, dehumanizing totalitarian regime, people find the courage to help one another, treat each other as human beings, and resist, even if only by their silence. Several poignant scenes involve a protest where an entire District refuses to cheer, or offers a silent salute to Katniss’ human dignity-affirming actions. The message that evil flourishes when good people do nothing is strongly affirmed. All that it takes to begin to overthrow the Capitol’s power is a couple teenagers who refuse to kill one another. Their small resistance leads to silent protests, then to full out revolution.
The Hunger Games Trilogy teeters on the brink between truly worthwhile literature and sensational young adult fiction. The three books in the series vary greatly in coherency, theme, and merit. The first book, The Hunger Games, is the best in my opinion, and certainly worthy of having a high schooler read and discuss or write a paper on. Yes, there are some moral problems with the series, but with a little guidance, high schoolers can recognize the bad, take away the good themes, and enjoy a creative story.
Ideas for discussion questions or book report topics:
1. Does the author intentionally never mention God or religion? Is that a realistic picture of human nature: are people religious by nature? Despite attempting to remove God from the picture, does the author still acknowledge the natural law by creating good and bad characters? Does the author’s Godless world seem to need God?
2.Apply three of Peter Kreeft’s arguments for God’s existence to the world of Panem.
3. Are there any positive adult role models in Katniss’ life? Why would the author create a book where all the adults are deeply flawed? Does this play on a common teenagers’ assumption that they are wiser than adults?
4. Is violence portrayed as negative or positive? Killing? How well does Katniss recover from her ordeal? Peeta?
5. What are the moments Katniss most touches the world of Panem? Why do her compassionate, personhood-affirming actions resonate so strongly? Is it in contrast to the view of human dignity the Capitol takes?
6. How do people resist the Capitol regime? What does Catniss do (give examples) that is a catalyst for people waking up and refusing to allow the brutality of the Hunger Games any longer?