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What kid doesn’t love The Chronicles of Narnia? As an 8-12 year old, it was one of my favorite series, and I still enjoy re-reading it as an adult.
The question is: what to read after Narnia? What other fantasy books can satisfy after such a wonderful series?
This question is particularly tricky given the murkiness about magic, magical powers, witches, and sorcerers commonly found in popular contemporary fantasy series. More insidious but even more harmful is the dualism and Gnostic worldview often normalized in fantasy series.
But don’t lose hope! Today I bring you an entire list of wholesome series for your kids and teens to devour after finishing Narnia.
The Chronicles of Prydain by Lloyd Alexander tell a wonderful coming of age story and adventure. Over the course of the five books, a young man named Taran grows from being a rebellious teen to a valiant and courageous warrior, in the process forging friendships, finding love, and helping save a kingdom.
Recommended for 10 and older.
Redwall by Brian Jacques has delighted generations of children with its amusing animal heroes, high feasts, and epic battles. This series is satisfyingly long: a whopping 22 books. Some of the later volumes drag, but be sure and buy the first six books at least, which are excellent!
Recommended for 10 and older.
In the Hall of the Dragon King is the first of Stephen Lawhead’s Dragon King Trilogy. Complete with heroic quests, giant serpents, fair maidens to rescue, and a chilling necromancer to defeat, this series is guaranteed to please fantasy lovers. But it also has a solid plot, well-developed characters, and a Christian worldview.
Recommended for 12 and older.
The Green Ember Series by S. D. Smith is a Narnia-like series of epic adventure and talking animals that gets bonus points for being written with a clearly Christian world view. Best of all, it is free to download as an Ebook so you can preview it before deciding whether to buy a paper copy.
Recommended for 10 and older.
E. Nesbit’s classic children’s books that blend magic, adventure, family, and outdoor fun are coming back into print. Five Children and It and The Phoenix and the Carpet are just two of her many fine books, which make great read-alouds or independent reads.
Recommended for 8 and older.
The Ruins of Gorlan is the first book in John Flanagan’s captivating 12 volume Ranger’s Apprentice Series. These exciting tales follow teenage Will and his friends as they grow from impulsive teens into capable adults. Battling evil creatures, they learn to rely on one another. Each possessing a different talent, they must learn to cooperate. The characters do grow older during hte series, so this is a great series to dole out a book at a time as your child gets older.
First book recommended for 10 and older.
Out of the Silent Planet, Perelandra, and That Hideous Strength by C. S. Lewis are the clear must-reads on this list in my opinion. Similar to Narnia in that they are allegorical, they are written for an adult audience and explore deeper questions about creation, the nature of man, and the will for power.
Recommended for 14 and older.
To conclude with the master, everything by J. R. R. Tolkien is naturally recommended for fantasy fans. The Hobbit and The Lord of the Rings Trilogy should be a part of any home library. Don’t forget The Silmarillion and The Great Tales of Middle-earth also! They provide fascinating details about the making of middle earth and the tales of many of the heroes mentioned in passing in the Lord of the Rings.
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Teens and Romances
Most teenage girls go through a stage of craving romance novels. Beware of letting your daughter even browse the romance section of your library these days though! She will be bombarded with sensual images on covers and graphic content within. Even many “Christian” romances are heavy on the sensuality and low on any sort of inspiring theme.
What type of romance should teens be reading?
What should you look for in a romance for a Catholic teenager? There are the obvious “no’s”: no graphic sexual content, no positive portrayal of premarital sex, no living together before marriage, no dark drama about failing marriages. But a worthwhile romance is so much more than a list of “no’s.” Great romances showcase the true nature of love and humanity.
Themes in true romances
What is true love? It’s desiring the good of the other. Some of the greatest romances ever written explore this theme, like A Tale of Two Cities, in which Sydney Carton undergoes an incredible redemption and gives his life for the good of the woman he loves. Truly great romances will portray true love as selfless, giving, or redemptive. These type of romances often show the love between a man and woman as reflecting the love of God for us.
Is any human being perfect? Is love a feeling or a choice? Great romances do not portray the protagonists as perfect in every way. They often show that all people are imperfect, and forgiveness is the way to happiness. Or that true love isn’t just a magical feeling, but sticking together when life is tough and rekindling the flame of love in the face of adversity.
Are humans made for solitude or community? As much as we might sometimes envy the hero and heroine of Riders of the Purple Sage who push a boulder and cut off the rest of the world, this is not reality. Worthwhile romances usually have greater depth than a simple boy-meets-girl-engagement-marriage story line. They examine relationships with family, community issues, world events, or other broader topics.
Fortunately for your teenage daughters, there are plenty of novels which combine love stories that range from passionate to funny with worthwhile themes.
Here are a few of my favorite novels for teens that have themes about true romance and love.
The Scarlet Pimpernel by Baroness Orczy is such a wonderful combination of adventure, intrigue, and romance. This classic novel has a strong romantic plot about an estranged husband and wife falling in love with each other that teens will love. And it also has great themes about sacrificial love and forgiveness that parents love to see their kids reading.
The Story of the Trapp Family Singers by Maria Augusta Trapp is particularly powerful because it a true story. The real Maria who inspired The Sound of Music writes with a simple, charming voice how she met her future husband and family. This is a love story about Maria and the Captain, but also an example of a loving relationship in the context of family, community, and society.
They Loved to Laugh is another love story where love is experienced on several levels. It has great themes about family, friendship, and forgiveness.
The Rose Round is by the wonderful Meriol Trevor, a fantastic Catholic author who wrote one of my favorite children’s series, The Letzenstein Chronicles. The Rose Round is intended for a teen audience and follows a brother and sister pair who both find friendship and love in unlikely places. It has a great theme about looking beyond physical appearance to determine personal worth.
The Light Princess by George MacDonald is a classic fairy tale about a princess who loses her gravity, physically and emotionally. Only true sacrificial love from a prince can restore her to health and balance.
This list would be incomplete without some Louisa May Alcott! Though Little Women focuses mostly on sister-relationships, other Alcott books like Rose in Bloom and An Old-fashioned Girl are about finding love, sometimes in unexpected places. Rose and Polly learn to remain true to their beliefs and wait for a man wiht a pure heart.
Mara, Daughter of the Nile is an exciting historical fiction novel about a fiery teenage girl who becomes deeply involved in palace intrigues, caught between two rivals for the Egyptian throne. Oh, and of course there is romance too. I love how this story shows Mara’s growth from utter selfishness to understanding the sacrificial nature of love.
Manalive by G. K. Chesterton is another book that fits many genres. I call it a romance for two reasons. First, because it teaches the reader that everyday life is romantic. Second, because a third of the book is about two characters falling in love and fighting in court to be allowed to marry.
Here are some novels with romantic plots I recommend for teens over 14.
Funny and memorable, My Heart Lies South is a true story about a young American journalist who falls in love on a trip to Mexico and ends up staying. Readers will love this amusing love story that also touches on the difficulties of assimilating into a different culture and family.
Do not assume all of Gene Stratton-Porter is appropriate for teens, but Laddie: A True Blue Story is really a charming story told by Laddie’s Little Sister, who explores themes about family, nature, redemption, and forgiveness. She also recounts how Laddie fell in love with and won the heart of a Princess.
Freckles is another great book by Gene Stratton-Porter. Similar to Laddie in many ways, a simple lad must win the heart of a high-born girl. A charming romance, and a great story of personal growth and overcoming disability.
The Robe is the story of one man’s quest for love and truth. He finds it in Christ. But he does also find love with a special young woman, which teen readers will enjoy.
The James Herriot Books are the funny and endearing stories of everyday life as a country veterinarian. James Herriot weaves his story of wooing and winning his wife into his animal anecdotes.
[Parental warning: mild language]
Everyone knows that teenage girls should read Pride and Prejudice, but don’t stop there. Read The Jane Austen Collection for more classic stories about finding love, with a side of social commentary and comedy.
[Parental warning: mentions of out of wedlock relationships, illegitimate children, mistresses]
The Virginian is a classic western full of cowboys, shoot-outs, and true love. With his quiet humor and gentle nature, the reader is rooting for the Virginian to win the lady.
A Tale of Two Cities is, as I mentioned above, a stellar example of how true love is sacrificial. No-good Sydney Carton never does get the girl, but his pure love for her ends up being his redemption.
P. G. Wodehouse is best known for his Jeeves and Wooster novels, but he also wrote some hilarious romantic comedies such as the Adventures of Sally. Many of his Blandings Castle novels also include a strong romantic plot, such as in Heavy Weather and Summer Lightning.
A School for Unusual Girls: A Stranje House Novel is the first in a series of historical fiction novels about the Napoleonic Wars. Each book includes a love story, which is kept carefully PG. Strong female heroines abound in these novels. [Parental warning: one of the girls is wilder and does break some of the rules, occasionally is described as dressing in a more risque fashion, etc. There is also mention of someone keeping a mistress, which is portrayed negatively.]
[Parental warnings: one scene of attempted date rape in the very first book]
Older teens (16+) will enjoy these more difficult novels.
A classic mystery, The Woman in White by Wilkie Collins is driven by a romantic interest. The protagonist and narrator must solve the mystery of who the woman in white is in order to gain a happily ever after with his wife.
Andrew Peterson’s Wingfeather Saga consists of four volumes: On the Edge of the Dark Sea of Darkness, North! Or Be Eaten, The Monster in the Hollows, and The Warden and the Wolf King. I recently enjoyed reading all four books for the first time, and was quickly captivated by Peterson’s realistic characters and the fascinating world of Aerwiar. The Wingfeather Saga is the story of a family: the former royal family of Anniera, now in hiding from the great evil one, Gnag the Nameless. Each of the three children- Janner, Kalmer, and Leeli- has a special gift and role to play in saving their world from the great evil. Children and teens who love fantasy will certainly enjoy these novels with a subtle yet decidedly Christian world view.
In the tradition of the Chronicles of Narnia, the Wingfeather Saga is not overtly pushing a Christian agenda, yet details throughout reflect the author’s Christian worldview. “The Maker” is referenced repeatedly throughout the series as the creator of the world of Aerwiar. In times of need, the children call on the Maker for aid, and sometimes receive it. There are many references to all things ultimately being in the Maker’s hands. There is even a major theme throughout of the Maker bringing good out of evil:
“Gnag bends things for breaking, and the Maker makes a flourish! Evil digs a pit, and the Maker makes a well! That is his way.”
There are also many parallels to the Biblical story of Creation in the history of Aerwiar: a first couple created by the Maker, evil entering the world through misuse of free will, and so on.
SELF-SACRIFICE AND REDEMPTION
In line with the Christian worldview, major themes in The Wingfeather Saga are self-sacrifice and redemption. Janner is repeatedly placed in situations where he must choose between self-preservation and protecting his siblings. At first he resents this duty to sacrifice himself, but by the end of the series recognizes his selfishness and embraces the Biblical ideal of laying down one’s life for one’s brother.
There are several characters who undergo redemption of various sorts. For example, Kalmar is “fanged” (changed into an animal) when in a time of weakness he loses hope and succumbs to the desire for power. With Janner’s help, Kalmar repents of his sin and regains humanity in the end. Another notable redemption is of the villain in the series, Gnag the Nameless. Peterson accomplishes the difficult feat of portraying Gnag as utterly evil, yet by a strange concatenation of circumstances redeeming him in the last seconds of his life.
Another wonderful aspect of The Wingfeather Saga is its positive portrayal of family love and loyalty. The three siblings overcome jealousies and resentments to forge a close bond. The relationship between the brothers, Janner and Kalmar, is particularly noteworthy for its loyalty and sacrificial aspect. Their mother, Nia, is truly awesome: loving, supportive, protective, always willing the good for them. Their father, Esben, is believed to be dead, but eventually comes into the story and (here’s the self-sacrifice theme again) gives his life to save his children’s.
THE POWER OF MUSIC
Music as healing, music as an art form, music as a weapon. Music comes into the book over and over as a powerful force for good. Leeli is a skilled whisle-harpist, and her music saves lives, tames animals, and can carry messages. The pure of heart are roused to courage and imbued with energy when they hear her music. The evil cringe and cover their ears at the beauty of her music.
One of the trickiest parts of finding good fantasy novels is evaluating the “magic” factor. What does the author mean by magic? Does he equivocate about whether magic is good or evil? Does he encourage children to dabble in magic?
I found that Peterson had a unique approach to the magic question. In The Wingfeather Saga, there are no spells, potions, or witches’ hats. Instead, Peterson uses the term “magic” to be more synonymous with “mystery.” Nia explains the magic of Leeli’s music to her children:
“What’s magic, anyway? If you asked a kitten, ‘How does a bumblebee fly?’ the answer would probably be ‘Magic.” Aerwiar is full of wonders, and some call it magic. This is a gift from the Maker- it isn’t something Leeli created or meant to do, nor did you mean to see these images. You didn’t seek to bend the ways of the world to your will. You stumbled on this thing, the way a kitten happens upon a flower where a bumblebee has lit. … The music Leeli makes has great power, but it is clear the Maker put the power there when He knit the world.”
Portraying magic as synonymous with a mystery may be slightly confusing for younger readers, so I would discuss how Peterson portrays magic with my children when they read this book.
I ascribe to Michael O’Brien’s views on dragons (see my post Concerning Dragons), so I approached a series which I knew contained dragons with major misgivings. I found Peterson’s views on dragons slightly nebulous. He doesn’t try to make them good, portraying them as having done many dark deeds such as sinking the mountains and destroying the countryside. The primary dragon character, Yurgen, is vengeful, destructive, and lusts for power. But Peterson also doesn’t consider all dragons as inherently evil. Upon hearing Leeli’s music, a few dragons are even moved to contrition for their past evil deeds and end up helping in a final battle for Aerwiar.
Overall, the dragons come into the story fairly infrequently and are not major characters. The question is whether the “redemption” of a few dragons is a form of demythologizing? Does it contradict the centuries of western tradition which use the dragon as a symbol for evil? I think Peterson does unintentionally contradict tradition here a bit. But given how overwhelmingly Christian and wholesome these books are as a whole, this is another time where I would discuss the dragon question with my children when they read the books.
WHO SHOULD READ IT?
Overall, The Wingfeather Saga is refreshingly clean from any sexual content, adult humor, and language. There are, however, loads of violent battles. Note that the descriptions of the battles are not graphic like in “The Maze Runner” or “The Hunger Games”. But still, you have Janner and Kalmar killing many fangs in self-defense. A couple beloved characters such as Leeli’s dog and grandfather also die. Given the violence and the need for a nuanced discussion about magic and dragons, I would recommend this book for those over 12.
The Weka-Feather Cloak: A New Zealand Fantasy is a fairly recent young adult fantasy set in New Zealand. Author Leo Madigan attempted to produce an engaging fantasy story which stretches the limits of time and space, while also writing a book deeply imbued with a Catholic vision. Catholic parents can rejoice that Madigan succeeded in his mission. Here is a young adult novel that parents can happily hand to their teens without fear of excessive violence, inappropriate content, or a secular agenda. On the contrary, teens will glean a wealth of positive lessons and experience a deeply Catholic worldview.
The Weka-Feather Cloak is the story of Danny Mago, a Maori boy coming of age in New Zealand. Quiet, artistic Danny’s life is forever changed when he meets the mysterious new student at school, Zelia, and begins to work for a strong-willed nun, Mother Madeleine. Danny finds himself suddenly involved in an angelic mission, experiencing time travel, and helping Zelia recover a precious relic lost for centuries.
EXCITING ADVENTURE AND FANTASY WITH A CATHOLIC FLAVOR
This book is not a fantasy in the common sense of taking place in an imaginary world such as Middle Earth or Narnia. Instead, it takes place in New Zealand; the fantasy element comes from an elevator which can bridge time and space. Instead of elves or wizards, this book’s nonhuman characters are angels and demons. I loved the uber-rational angel who helps Danny understand his mission, and shuddered at the demon who attempts to thwart it.
Sometimes, The Weka-Feather Cloak is reminiscent of Indiana Jones adventures. Danny and Zelia are racing to save a precious relic of Christ from the villain William Kydd. The exotic New Zealand locale, quest for a precious historical artifact, and other-worldly elements of angels and demons impacting human events are sure to intrigue teenagers as much as Raiders of the Lost Ark.
But unlike an Indiana Jones film, in The Weka-Feather Cloak Danny must turn to spiritual weapons to defeat the demon. He finds strength in saying the rosary, protection in wearing a crucifix, and eventually defeats the demons through a liberal use of holy water. Because Danny is a small, shy teenager, he must learn to turn to God for help. He is a great example of what St. Paul means in 2 Corinthians 12:9 when he talks about God’s power being made perfect through human weakness. If Danny had been less frail, he might not have realized how much he needed God’s help.
A final particularly Catholic flair to this book comes from the intriguing glimpses Danny gets into eternity. Danny gets to see what angels may be like. He gets to experience some of the attributes of a glorified body. Most of all, he gets to see history from a perspective outside of time.
APPRECIATING GOD’S CREATION
New Zealand is breathtakingly beautiful: a fitting setting for this story which has major themes dealing with art and beauty. The book contains some truly beautiful descriptions of nature and what it reveals about our Creator:
“These vast continents with their mountains, deserts and rain forests, were a letter written by the Creator to mankind, a letter which told of his tender good-will, of his greatness and of his capacity to be little, of all his infinite variety of shade and color and light and impenetrability, it said everything mankind needed to know about him until he was ready to tell more.”
Little gems like this paragraph are tucked into this exciting adventure, making the reader pause and revel in the beauty of creation.
Another theme about beauty is that spiritual beauty is more important than mere physical beauty. Danny has a certain clarity of vision which allows him to see the beauty in a humongous, elderly nun, or in his disabled sister.
SEEING SPECIAL NEEDS ADULTS THROUGH GOD’S EYES
Danny’s older sister Angela has a neurological disability which renders her mute and confined to a wheel chair. From the beginning of the book, Danny’s attitude towards Angela is truly beautiful. He says that having a sister like her is a “strange, mysterious gift.” Danny and Angela have their own private sign language to communicate. Danny confides his deepest secrets to Angela, who sometimes gives him amazingly wise advice. Yet it is not until Danny experiences a miraculous journey outside of the normal time-space continuum that he sees Angela in all her beauty and potential as she will be in heaven.
ENCOUNTER INTERESTING SAINTS AND RELIGIOUS
Both while traveling through time and at home in New Zealand, Danny meets fascinating saints and religious who are friendly, fascinating people. He meets Lady Juliana of Norwich in 1399 and learns about the Eucharistic and God’s will while enjoying her hospitality and kindness. He also gets to meet Fra Angelico and the Silvestrine monks, learning how to create a fresco and participating in a snowball fight.
Back in current-century New Zealand, Danny becomes acquainted with the redoubtable Mother Madeleine and her eclectic order of nuns. Sister Eileen is admired and respected even by bullies. Sister Paula has a dry sense of humor and a practical bent. Mother Madeline herself is wise and simple, extroverted and shy all at once. From all of them, Danny learns that the path to sainthood is for everyone.
CAVEATS AND CONCLUSION
This wonderful novel is great for teens and even mature tweens. One aspect for parents to consider is that it features some truly disturbing demons, clawed, hooded, and fire-breathing that terrorize Danny on several occasions. Beware these descriptions if you have an extremely sensitive tween or young teen. The only other potentially problematic point is that there is a decent amount of bullying described. Danny is called a “maggot” and threatened by the bigger kids at his high school on multiple occasions. However, on the positive side, these same bullies do eventually cooperate with Danny to save the day so there is some redemption here. Other than these two areas, the The Weka-Feather Cloak is a joy to read! And it’s on a steep discount at Amazon right now: half off!
The Drovers Road Collection by Joyce West could be described as a New Zealand Little House on the Prairie. I cannot say enough good things about this trilogy, yet sadly it is little known in the United States. Tweens and Teens who love adventures, a story with a strong female protagonist, and a generous dose of humor, will enjoy Drover’s Road.
These adventures are narrated by Gay Allan, a lively and adventurous girl growing up on a New Zealand sheep station. The trilogy begins with Gay and her three cousins’ humorous escapades as they “help” their Uncle Dunsany on his ranch, deep in the Maori country. The cousins may be far from civilization, but life is never quiet at Drover’s Road with its colorful cast of characters both human and animal. In Cape Lost, Gay describes growing into a young woman, experiencing first loves and heartbreaks. But don’t worry; Gay, true to her name, is always resilient and able to see the humorous side of her adventures as she comes of age. The final book, The Golden Country, is Gay’s story of taking over a sheep station of her own as a young adult.
What makes these stories so worthwhile and memorable is Gay’s worldview, wise beyond her years yet still joyful. Growing up on a sheep station, she is used to hard work and responsibility. Yet she is also gentle-hearted and merry by nature. In each chapter, whether funny or poignant, a disaster or celebration, she provides a lesson for the reader without moralizing.
Drover’s Road is a story of a different era a century ago, when cell phones and the internet were not even imagined. Gay and her cousins fill their days taming wild horses, building a hideaway under a waterfall, hunting treasure, and playing matchmaker to their various relations. I think reading about their adventure-filled, joyful lives is a great inspiration to today’s teens and tweens to turn away from their screens and consider what real adventure might look like.
Despite being an old story when it comes to technology, Gay’s atypical family situation may strike a chord in today’s kids. Gay and her three cousins are all being raised by their young uncle and a distant cousin, “Aunt” Belle. Their parents all either died or abandoned them. Though they have an idyllic life on the cattle station, the cousins still experience a sense of missing and emptiness over their lost parents. Later in the books, Gay delves into her difficult relationship with her father, whom she struggles to forgive.
The romance is light and clean, and there is no language or violence. This wonderful book is perfect for twelve and older. The only sad part is that it is out of print so you have to buy it used here, or you can buy it as an e-book from publisher Bethlehem Books or on Amazon.
The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows came highly recommended from no no less than three reliable sources, so I had to read it as soon as possible. As soon as possible turned out to be after 16 other library card holders saw fit to read and return it. But better late than never, I come to add my approval to that of the many fans of this charming historical fiction novel.
The Guernsey Literary and Potato Peel Pie Society is written as a collection of letters, mostly to and from Juliet Ashton, a young woman finding her path in life immediately after World War II. Juliet is a writer, a successful newspaper columnist and authoress, and altogether a sweet and spunky heroine. She learns of Guernsey, one of the Channel Islands which was occupied during the war from Dawsey. Dawsey is a shy, intelligent islander who reaches out to Juliet by letter after finding her address in his favorite used book. A correspondence leads to friendship between Juliet and Dawsey, and a book idea for Juliet. Juliet visits Guernsey and ends up falling in love with the island, its inhabits, and most of all Dawsey.
Literature Lovers Delight
The Guernsey Literary and Potato Peel Pie Society is rife with references to classic literature. Juliet shares fascinating details about Charles Lamb’s life with Dawsey as the basis for their early correspondence. Various members of the Society share in their letters to Juliet how the works of famous authors from Seneca to Emily Bronte impacted their lives and brought them hope and respite during the war. A drunk, a lady, a pig farmer, a carpenter, a rag man, an aristocratic impostor are all saved on a soul-deep level by great literature. The Guernsey Literary and Potato Peel Pie Society is at root a celebration of books’ magical ability to bridge gaps in class, education, race, language.
Enjoyable Historical Fiction
Through reading Juliet’s correspondence, the reader learns a great deal about how World War II affected the Channel Islands, and particularly Guernsey. By focusing on one small island, the authors paint a painful, even heart-breaking picture of life for inhabitants of an occupied country, albeit a tiny one. The islanders spend five years cut off from all news of the outside world, separated from most of their children (who were evacuated), facing severe food, clothing, and firewood shortages. Their pain is captured in glittering shards of memory scattered throughout their letters. But well interspersed with the pain is the balm of friendship and loyalty and hope for a better future. I found The Guernsey Literary and Potato Peel Pie Society to be historical fiction at its best: a captivating story which also managed to impart a great deal of information about its historical setting.
Friendship and Love
Although undeniably having a love interest as a subplot, The Guernsey Literary and Potato Peel Pie Society is more focused on friendship. Of course one reads of Juliet’s many friendships, both old ones from girlhood and new ones with the Islanders. However, I found the most fascinating themes about friendship to center around the friendships between the Islanders. People who might otherwise have barely nodded in acquaintance became co-conspirators due to the war. Even some of the German soldier become friends with the Islanders as occupied and occupiers both face starvation. The Guernsey Literary and Potato Peel Pie Society shows the truth of hard times leading to friendship.
I also appreciated the slow, gradual evolution of Juliet and Dawsey’s romance. This is no “love at first sight” affair. Their relationship begins with months of letters which forge a friendship. After they meet, the friendship slowly blossoms into love. This is an unusual portrayal of an unfolding relationship in a historical fiction novel, but one I found utterly refreshing and applaud.
A Few Notes for Parents
I think many older teens would enjoy The Guernsey Literary and Potato Peel Pie Society. It was exceptionally clean, so I have just a few caveats for Catholic parents. One, there is a a neutral to somewhat positive reference of an affair between an unmarried German soldier and an Islander, both deceased. Their illegitimate child is a major character and I found the Islanders’ attitude of support and material help quite pro-life.
The only other quibble I have is that Syndey, one of Juliet’s best friends, and her most frequent correspondent, is a secret homosexual. This is again presented as basically a simple fact without much slant positive or negative. It is really a minor detail and there is no mention of his having homosexual relationships. I honestly think the authors made him a homosexual so Juliet wouldn’t be in a love triangle.
To be enjoyed by…
The Guernsey Literary and Potato Peel Pie Society is a joy to read for women, will be lapped up high school girls, and probably leave most men bored senseless. So don’t try to make this your next couples read! But do read it and savor the simple goodness of a sweet story of friendship and love and hope. Then pass it on to your teenage daughters, since this would be a fine book for a high schooler to write any of a variety of essays on: a character analysis of Juliet or Dawsey; an exploration of how friendships are forged through letters; a contrast of post-war life in London versus Guernsey. I think the title is creative enough that teenagers will want to read it just to find out what The Guernsey Literary and Potato Peel Pie Society is. I know I did!
A 2018 offering from reputable Sophia Institute Press, Saints Chronicles Collection 1 is obviously an attempt to make the stories of saints from ancient and modern times compelling to today’s tweens and teens, who often prefer graphic novels and comic books to traditional chapter books. This is the first volume of four collections that Sophia is publishing, all similar comic book style volumes of about 120 pages. Each collection contains the stories of about five saints. This first collection tells the stories of Saint Patrick, Saint Jerome Emiliani, Saint Elizabeth Ann Seton, Saint Henry Morse, and Saint Joan of Arc. Saints Chronicles Collection 2 relates the stories of Saint Nicholas, Saint Francis of Assisi, Saint Brigid of Ireland, Saint Pachomius, and Saint Anne Line.
These collections are visually arresting and fast-paced. I appreciated the focus question at the beginning of each story which hints at the theme to carry away. Though the stories themselves are not heavy on details, each one concludes with a one page summary of the life of the saint with important dates and life events in a timeline format.
The selection of saints is a thoughtful blend of the well known Saint Patrick and Saint Francis of Assisi combined with the unknown Saint Henry Morse and Saint Anne Line. I do wish the publisher had picked a few saints from more recent times like Saints Jacinta and Francisco Marto or Saint Maximilian Kolbe. Maybe in a later collection.
This collection is appropriate for children as young as 7 or 8 in most regards, though if you have a sensitive child be forewarned. The saints are often in mortal danger or actually die in the course of the story. However, the pictures are not gory or gratuitously violent at all. For example, Saint Henry Morse is last shown at the gallows about to be hung, but not after he is hung. Saint Joan of Arc is not shown burning at the stake; the book simply says she was.
I am not personally a huge fan of the comic book style, but I know it is very popular these days! Overall, I think most people, especially tweens and teens, will find Saints Chronicles Collection 1 to be an enjoyable, informative comic book. I imagine this volume and its sequels will capture the imaginations of many children who might otherwise find the lives of the saints dull and dreary.
If you enjoyed my last list of Good Books for Catholic Kids that are also Good Movies, here is a companion list for older teens, young adults, and parents too! How much fun would it be to have a book club that read one of these books, discussed it, and then watched the movie together?
To begin with the obvious, J. R. R. Tolkien’s The Lord of the Rings is such a masterpiece of fantasy and literature that if your teenager has not read it yet, they most certainly should! And the Lord of the Rings movies are a splendid adaptation, mostly because they tried to stick to the book as closely as possible even if that resulted in a 10 hour plus movie.
Another amazingly successful adaptation is Stephen Fry and Hugh Laurie’s TV series Jeeves & Wooster. I am a die-hard fan of P. G. Wodehouse’s Jeeves & Wooster books, which are each comedic masterpieces. But I happily admit that Fry and Laurie so capture the dynamics of Wodehouse’s hilarious duo that it is difficult to choose whether to read or watch in this case!
Yet another brilliant adaptation: the BBC version of Jane Austen’s book Pride and Prejudice. The book is a classic of wit and wisdom, humor and human nature. And it is hard to imagine a better adaptation than the Pride & Prejudice starring Colin Firth and Jennifer Ehle.
While talking about Jane Austen, another enjoyable adaptation is the Sense and Sensibility movie starring Emma Thompson. The book Sense and Sensibility is a less mature Austen work stylistically than Pride and Prejudice, but still a worthwhile novel about two impoverished sisters with very different personalities.
For animal lovers, James Herriot’s humorous and touching memoirs beginning with All Creatures Great and Small will be a true joy to read. These were my very favorite books as a teenager, and I still enjoy re-reading them as an adult. These books were made into six seasons of an enjoyable TV series: All Creatures Great & Small. Parental advisory: books and shows contain some colorful Yorkshire cursing at times.
North to Freedom is a powerful book by Ann Holmes about a boy who grows up in a Nazi concentration camp and finally escapes. His wide-eyed wonder at the world outside the camp, and journey to find his family, is sure to bring tears and smiles. The awesome movie adaptation is as least as good as the book and is called I Am David. This is a fun one to watch with both mature tweens and teens.
Little Women by Louisa May Alcott is the classic story of Meg, Jo, Beth, and Amy, who grow up during the Civil War. There are many movie adaptations, but I like the old Little Women with Katherine Hepburn as Jo best. Another fun one for all teenagers.
Gone with the Wind is a unusual book movie duo in that the movie is actually appropriate for a younger audience than the book. The book Gone with the Wind is a magnificent, sweeping account of the Civil War and its impact on Southerners, seen through the lens of the memorable and irrepressible Scarlett O’Hara. Although a must-read for adults, parents should be advised that the book contains content dealing with subjects like adultery, fornication, and prostitution. I would recommend it for older teens, who will also love the movie Gone with the Wind. Starring Clark Gable and Vivian Leigh, the movie is great in its own right, though there is no way to really adequately condense the 800+ pages of the book to a two hour film.
Who doesn’t love The Sound of Music? This beloved film was inspired by the real life Trapp Family. The Story of the Trapp Family Singers, the real Maria Augusta Trapp’s version of the family’s story, is charming and inspiring and even better than the movie! (Appropriate for fourteen and up.)
Brideshead Revisited by Evelyn Waugh is a Catholic classic. Best understood and enjoyed by older teens, this is a story of great sin and redemption, a war torn world, a family destroyed, and an unexpected conversion. An acclaimed TV series was produced based on the book: Brideshead Revisited . The movie is best for college aged and older, mostly due to one unfortunate scene involving adultery.
A Tale of Two Cities is one of the most popular and easily read of Charles Dicken’s numerous works. Historical fiction about the French Revolution, it is a touching story of love and sacrifice juxtaposed with the horror of the guillotine. The 1935 movie A Tale of Two Cities is a good adaptation if you enjoy older movies.
I’ve done a review for you on why I think The Hunger Games is acceptable reading for older Catholic teens. If you agree, your older teens will be thrilled to also watch The Hunger Games movie. Yes, it is violent, and I would recommend this book and movie for high schoolers and older, not younger teens.
The Count of Monte Cristo by Alexandre Dumas is a wonderful novel about revenge and redemption. The movie The Count Of Monte Cristo is entertaining, but does fail to capture one of the major themes of the book: that revenge is not the right answer. I would recommend watching it for discussion purposes to see how differently Dumas and the movie producers viewed happiness and revenge. There is one scene of implied fornication (easily skipped) that makes this more appropriate for older teens.
Recently, Christie’s book Crooked House was adapted into a creepy, captivating movie: Crooked House. Her book Ordeal by Innocence was also adapted into a multi-episode Amazon Prime series of the same name. These two films deal with more chilling evil and some adult content which make them more appropriate for viewers over 18.
The Scarlet Pimpernel by Baroness Ocrzy has always been one of my favorite novels. This fascinating historical fiction novel captures the terror of the French Revolution and also has one of the most memorable love stories in literature. The old black and white adaptation, Scarlet Pimpernel, starring Leslie Howard and Merle Oberon has wonderful acting and is my favorite, despite the the blurry film quality common in early black and whites. The Scarlet Pimpernel made more recently in 1982 with Anthony Andrews and Jane Seymour is also excellent, though parents need to beware of one scene, fairly easily skipped.
By request, I conclude my series of reviews of popular teen dystopian series with my thoughts on Divergent. Veronica Roth’s Divergent series is one of the most popular in this genre, probably second only to Suzanne Collins’ “The Hunger Games”. Like Hunger Games, Divergent features a strong female protagonist, Beatrice “Tris” Prior, who tells the story in the first person present. And like Hunger Games, Divergent raises questions about societal norms, fascism, and what a good person is to do when confronted with an unjust government. Like Hunger Games, there are certainly positive messages to take away from reading the series, but the question is: do the positives outweigh the violence and negative messages?
THE OVERALL STORYLINE
Divergent, the first book in the series, introduces the reader to a dystopian Chicago which is divided into five factions, each of whom is obsessively fixated on one virtue. Abnegation values self denial, Candor values honesty, Dauntless values bravery, Erudite values knowledge, and Amity values kindness. Usually a person has an aptitude for one faction, but a few special Divergents have aptitudes for multiple factions. At 16, a teenager has one choice to decide which faction to join, and Beatrice “Tris” Prior chooses Dauntless. Divergent follows Tris through the initiation process, then stars her and her boyfriend Tobias “Four” stopping an attempt by the Erudite to seize control of the city.
Book two, Insurgent, describes Tris’ attempts to figure out what is beyond the fence which encloses Chicago. With the help of a few unlikely allies, she reveals hidden Erudite footage about the origin and mission of the city: to produce a primarily divergent population which can help the outside world.
The final book, Allegiant, reveals Tris, Four, and others leaving Chicago and entering the outside world. There, they learn that Chicago is actually an experiment by the Bureau of Genetic Welfare to determine if living in factions can help return damaged DNA to its original “pure” form. The series concludes with Tris sacrificing her life to wipe the memory of the scientists at the Bureau so that the genetically damaged will be regarded as equal human beings thenceforth.
Overall, it’s an exciting, fast-paced series with a compelling, charismatic first-person narration style. Its popularity is easily understood. But beneath the swift-moving story line there are a host of issues which parents may find concerning.
Hunger Games took a lot of bad press for violence, but honestly I found Divergent much more consistently violent. Teenagers intentionally harm other teenagers, such as one occasion where a sixteen year old sticks a butter knife into a rival’s eyes. There is an inordinate amount of hazing in the first book, both instructor on student and student to student. There are massacres, and there are executions which involve shooting the wrongdoer in the head. There is a scene where a group of students attempt to sexually molest and then murder Tris.
Even more alarming to me is the amount of violence Tris herself commits willingly. At least in Hunger Games Katniss mostly committed violence under duress. Tris chooses Dauntless as her faction because she craves the danger and adrenaline rushes, but quickly decides that if it takes hurting others to excel, she’s willing to fight her way to the top. She scorns her classmate who refuses to beat others senseless to improve his rankings. In contrast, Tris herself continues kicking a girl who has bullied her long after she’s beaten, and then says she doesn’t feel guilty at all. Tris also repeatedly has to shoot her family in the head to escape her fear landscape, a visual I had a hard time shaking.
Divergent is simply awful when it comes to setting an example of a chaste relationship to teens. The protagonists, Tris and Four, are forever ending up making out in bed together, sometimes scantily clothed. There are no explicit sex scenes, but a lot of talk about wanting to have sex, descriptions of taking off clothes, hands under clothes, and sleeping together. There is also a disturbing theme about using each other and kissing or sex to forget problems temporarily and avoid addressing relationship issues. Tris is forever saying things like, “I press my mouth to his, because I know that kissing him will distract me from everything.” Are these messages about what is appropriate between teenagers and using one another what we want to teach our teenagers?
Having tattoos is apparently an integral part of the Dauntless identity, which is obviously lauded since Tris and Four choose it. Parents should realize that in Divergent, tattoos are normalized as a legitimate way of immortalizing a memory. Tris gets several to mark important events and persons in her life. There is also an interesting motif about enjoying the pain involved in getting a tattoo. For example, Four describes getting his first tattoo: “It was agonizing. I relished every second of it.”
The drugs in Divergent are a series of serums which achieve different results: memory erasing serums, peace serums, death serums, fear-inducing serums, and so on. The way these drugs are used is mostly by injection, and some characters use them in ways alarmingly similar to real life drug use. The Dauntless use a fear-inducing serum to cause a hallucination of one’s worst fears: a fear landscape. Four obsessively injects himself and goes through his fear landscape, and even injects Tris so she can “journey” with him. The Amity inject a peace inducing serum to send troublemakers into hippy happiness again. The Amity also bake this peace drug into their bread so that their entire community “feels peaceful” constantly. I find all this drug use normalization concerning in a novel aimed at teens.
Another normalizing attempt in the series is a couple of completely unnecessary plugs for homosexual relationships. One of Tris and Four’s friends, Lynn, confesses on her death bed to “really loving” her friend Marlene. Another minor character, a grown man named Amar, confesses to having had a crush on Four when he was a minor. However, he is described as being over that and now being in a relationship with another minor character, George. There are repeated descriptions of Amar and George hugging and sharing affection.
Another extremely disquieting theme in Divergent is that lying is not a big deal. From the beginning, Tris declare she could never belong in Candor because she lies easily and often. She does not seem to see this as a negative at all. She describes herself at one point: “I don’t know when I became so good at acting, but I guess it’s not that different from lying which I have always had a talent for.” Tris also lies to Four repeatedly, even premeditated lies. For example, in an emotional scene in Insurgent Four begs her not to sacrifice her life by going to Erudite headquarters. She knows she is going to go anyway, but looks him in the eyes and promises not to go, then thinks: “This lie- this lie is the worst I have ever told. I will not be able to take it back.” Additionally, many of Tris and Four’s plans are contingent on lying convincingly. Tris can even resist the “truth serum” and gets herself out of trouble multiple times by lying while under its influence.
ENDS JUSTIFYING MEANS
The reason Tris and Four lie frequently is that they believe the ends justifies the means. Divergent gives lip service to the belief that ends do not justify means insofar as Tris states that it is wrong to sacrifice the lives of human beings for the purpose of genetic cleansing. But in practice, Tris and Four often lie and even kill to achieve their goals. Four explains at one point in Allegiant that for his father, his mother, and sometimes himself, “the end of a thing justifies the means of getting there.” For Tris, it doesn’t even have to be a noble means. She will lie to save herself embarrassment or inconvenience.
Unlike Hunger Games, where God and religion are absolutely ignored, Divergent flirts with the idea of God and religion having some meaning, at least for some people. Praying and talking about God and heaven is something only the Abnegation do in Divergent. I consider this relegation of God and prayer to being a belief specific to a particular Faction an extremely subtle way of dismissing religion.
Tris herself has little to say on the subject of religion. She is basically an agnostic, treating all things religious with ambivalence. She is generally uncertain about the existence of any afterlife. But when faced with imminent death in Insurgent, she states that she does not believe that anything she does or doesn’t do will make an impact on her eternal future, if there is one. “I don’t believe that what comes after depends on anything I do at all.”
PHILOSOPHY OF VIRTUE
At first, I was excited that Divergent was raising questions about what it means to have various virtues. But by the end of the series, I realized that the conclusions Roth leaves the reader with regarding specific virtues and how virtues relate to one another are quite problematic.
I believe one fundamental issue in Divergent is a lack of understanding of what a virtue actually is. In the Nicomachean Ethics Aristotle defines virtue as a disposition to act rightly, and as a mean between the two vices of excess and deficiency. This simple yet powerful definition is what Roth was clearly lacking when she wrote the Divergent series. She often describes an excess as the virtue. For example, the Abnegation are supposed to be selfless, which Roth describes at times as a complete unwillingness to ever accept help. Unwillingness to accept help is a form of pride, not a virtue. Similarly, she describes the Dauntless bravery in terms of recklessness or rashness, which are actually vices directly opposed to the virtue of courage. These muddied examples of virtue are concerning in a teen novel since many teens are not going to have the ethics background to recognize the false understanding of virtue shown in Divergent.
Another part of Aristotle’s definition of a virtue is that the virtues do not exist in isolation; they are facets of a virtuous person. Divergent definitely treats the virtues as separate goals to pursue, and even vacillates on the question of whether different virtues are actually opposed to each other. Four is more correct than Tris when it comes to this question, telling her in the first book that “I want to be brave, and selfless, and smart, and kind, and honest.” But Tris disagrees, saying: “It doesn’t work that way. One bad thing goes away, and another bad thing replaces it. I traded cowardice for cruelty.” She honestly believes that one person cannot have two virtues.
I hoped that by the end of the series, Tris and Four would espouse a more accurate understanding of virtue, but the last book, Allegiant, leaves the reader with the message, “Every faction loses something when it gains a virtue: the Dauntless, brave but cruel; the Erudite, intelligent but vain; the Amity, peaceful but passive; the Candor, honest but inconsiderate; the Abnegation, selfless but stifling.” I do not accuse Roth of intentionally confusing teenagers about the nature of virtue, but I think she lacks a coherent, correct understanding of virtue. Unfortunately, this translates into potentially dangerous misconceptions about virtue in impressionable readers.
Considering the sexual content, violence, lies, agendas, and shaky philosophy, I advise not having your teenagers read Divergent. In case you’re still unsure, let’s talk about the ending of the series.
Spoiler here, but Tris dies near the end of Allegiant, so the trilogy ends with a devastated Four receiving life advice from Tris’ best friend Christina. The important take away for teenagers here from the surviving main characters? “Sometimes life really sucks. But you know what I’m holding on for? … The moments that don’t suck. The trick is to notice them when they come around.”
Okay, I will admit there is nothing inherently wrong with this advice. But honestly, I found it sort of depressing. The best we can do is hold out for the moments in life that don’t suck? Really?
How about seeking the true, the good, and the beautiful? How about living with passion and purpose? How about seeking all the virtues and becoming the best version of yourself? How about striving to see each moment as a gift, each suffering as a kiss, each joy as a taste of heaven?
If you haven’t seen the movie, it is in essence a spoof on fairy tale adventures. Buttercup, the most beautiful woman in the world, is being forced to marry a wicked prince. But she is rescued by her her lover Wesley, a Sicilian bent on revenge, and a giant. There are swashbuckling sword fights, miraculous rescues, wicked villains who are satisfactorily punished, and a hilarious commentary from the narrator. The book also has these elements. In fact, the movie contains all the best parts of the book and leaves out the muck.
And there is so much muck in this book. Before you get to the adventure proper, you must wade through 32 pages of Goldman describing, first, making a pass at a bikini-clad Hollywood starlet (note that Goldman is married). Second, lying repeatedly to his wife. Third, complaining about how his wife doesn’t understand him. Fourth, describing how he knows all the above is wrong, but doing it anyway.
By the end of these 32 pages I was so angry I almost destroyed the library book. After cooling down, I continued to the story proper. The book version of The Princess Bride opens with an account of the most beautiful woman in the world, a maid who is having an adulterous affair with a duke. The duke’s shrewish wife ruins the maid’s beauty by plying her with chocolates. I’m not a psychologist, but by this point I was convinced that Goldman had a very dysfunctional marriage. I later found out that he and his wife, who was actually a psychologist, divorced after the book was published.
It’s rather sad, really, to realize how Goldman views marriage. There isn’t a happy relationship in the book. Buttercup’s parents are described as having an unhappy marriage: “All they ever dreamed of was leaving each other.” Buttercup and Wesley do not even have a particularly inspiring relationship. Buttercup is rude, slovenly, and quite dull-witted when Wesley falls in love with her. Basically, he loves her because she’s beautiful. And once he rescues her, they soon fall to bickering and belittling one another.
Now there is still some decent comedy in the story. As I said, the movie combines all the best parts of the book with a wise cutting out of the love-doesn’t-exist theme. But a little comedy does not make this book worthwhile reading, so do not waste your time or give it to your teenagers. While disappointing, I will give The Princess Bride credit for being life changing for me in one way. I am never again going to be able to say “the book is always better than the movie.”