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Review of “Mistborn” Series

mistborn series Brandon Sanderson

The Mistborn Trilogy by Brandon Sanderson

Mistborn: a person born with the ability to burn metals in their stomach to feed super powers. Flying over cities, ripping walls apart, controlling others’ emotions, and turning any metal object into a projectile are all possibilities in Brandon Sanderson’s iconic Mistborn Series. This high-adrenaline series is high on the list of fantasy I often hear recommended to Catholic teens so I’m chiming in with my review this week.

A Very Brief Series Synopsis

In Book 1, Mistborn, you’ll meet Vin, a teenage street Skaa (peasant) with a surprisingly talent: she’s Mistborn. A daring band of rebels led by Kelsier recruit Vin as part of their plan to overthrow the tyrannical Lord Ruler (who has seeming omniscience and omnipotence) and free the Skaa. During the course of the plotting, Vin falls for Elend Venture, a rich noble, who ends up assisting Kelsier’s crew to kill the Lord Ruler. To kill the Lord Ruler, Kelsier voluntarily sacrifices his life to become a hero to inspire the Skaa revolution.

Then in Book 2, The Well of Ascension, Vin, Elend, and the surviving crew struggle to set up a fair government, fight antagonistic nobles, and figure out why the environment is spiraling into chaos around them. Vin eventually releases a great power from the Well of Ascension, thinking she is releasing a power which will save the world. Unfortunately, turns out she unleashed the power of Ruin: one of the two forces on this Dualistic planet.

Finally, in Book 3, The Hero of the Ages, Vin and Elend rush around trying to find a way to defeat Ruin before it destroys the world with earthquakes and volcanic ash. Eventually, they find a way past seemingly insurmountable obstacles to destroy Ruin’s body and mind, allowing Sazed, one of the crew, to balance the power of Ruin with the power of Preservation and remake the world.

A Thrilling Journey

Mistborn is an addictive roller coaster ride of a series. You see plenty of epic battles, duals between powerful Mistborns, truly disturbing villainous monsters, and inspiring heroes. What really makes you like Mistborn is the solid cast of characters who believe in trying to save their world from Ruin no matter what, superhero style. The main characters, Vin and Elend, are actually a likeable, sweet couple who are surprisingly chaste. They even have a subplot of learning to love in a very unselfish and self-giving way. The minor characters are well-developed and memorable also.

Positive Themes

Plenty of good themes to point to in this series. One repeated thread is that fighting a losing battle is preferable to sitting by and letting evil conquer. The protagonists in Mistborn understand that dying is not the worst thing; dying is preferable to disloyalty, cowardice, or shirking responsibility. Others includes that self-sacrifice for a greater good is a noble choice, and trusting your friends and being hurt is preferable to never trusting at all.

Grappling with Tough Topics

Book 2, The Well of Ascension tackles some tough topics. Many fantasy novels center around a plot to topple a corrupt government. In The Well of Ascension, Brandon Sanderson takes this one step further to the aftermath. You’re a group of reckless rebels who vanquished an oppressive ruler against impossible odds: but what now? What kind of government do you form? How do you bring democracy to people who have lived under a tyrant for a millennia?

This book was the most interesting to me because it actually forces the reader to think critically about different forms of government. Elend, always the white knight (or now, king) is a well-educated idealist who thinks he has the theory for an ideal government structure. But how does his ideal government hold up to the reality of a war-torn country? Is it better to back down or seize the power by force? There are no easy answers to these and other political questions in The Well of Ascension.

Content?

There’s almost no language in Mistborn. Alcohol use is common, but not glorified. Sexual content is fairly low, but there are several mentions in Mistborn about nobles taking Skaa women as their mistresses then killing them to avoid diluting the noble bloodlines. Elend admits to being forced by his father to bed a Skaa woman at the age of 13, but is very guilty about this part of his past. In The Well of Acsension, there is mention that some people assume Vin is Elend’s mistress since they are dating, but that she is actually not.

However, the violence score for this series would very high. Vin, Kelsier, and others engage in frequent and bloody hand to hand combat involving details such as heads being ripped off. There’s also a cast of truly disturbing enemies including Inquisitors with bloody spokes for eyes and Kollosses, which are mutated humans with bloody ripping skin. These villains go around violently slaughtering entire villages of Skaa peasants. They also engage in a really unsettling method of stealing power from Mistborn by pounding spikes through their living bodies.

Negatives

One downside of Mistborn is the confusing spirituality and theology of Brandon Sanderson’s Cosmere.

First, you have what I consider a somewhat anti-religious agenda. In Book 1, Mistborn, you have a paralleling of a Redeemer figure dying for his people, and appearing subsequently to inspire his followers. But (Spoiler), the appearances are a hoax. Kelsier studies other religions and decides he must die heroically to start a revolution. Before dying, he hires a Kandra, a shape changing being who eats someone then mimics their mannerisms. After Kelesier’s heroic death, this Kandra will eat him and appear to his followers for maximum psychological impact in starting the revolution.

EDITED TO ADD: A “Mistborn” fan has informed me that Kelsier’s character arc continues in other Sanderson books in a way that shows Kelsier is an anti-Christ figure of sorts, so that context makes me less concerned about this agenda in “Mistborn.” I plan to read more of the series to verify this.

Dualism?

Dualism is the belief that the world is the result of two opposing forces such as dark and light, good and evil, or some other pair of conflicting powers. This belief is primarily seen in Eastern religions, though has also appeared as the basis for early Christian heresies such as Manichaeism. Dualism is utterly incompatible with the Christian monotheistic worldview, which labels evil as an absence or privation of goodness (God).

Taken by itself, the Mistborn Trilogy seems to be pushing a dualistic worldview. The plots in the second and third books are primarily focused around the conflict between the two opposing forces of Ruin and Preservation. One of the protagonists, Sazed, spends most of The Hero of the Ages going through a crisis of faith rejecting all religions that have ever existed as illogical and false. He eventually finds peace by deciding the true “religion” is a balancing of the two forces. In fact, (SPOILER) the series concludes with Vin sacrificing her life to destroy the mind of Ruin, then Sazed taking over the task of balancing the forces of Ruin and Preservation to shape a better world.

However, further research into other Sanderson books and his fantasy world, the Cosmere, reveals that the seemingly dualistic theology of the planet in Mistborn is misleading. Sanderson’s Cosmere is not actually dualistic, but neither is it Christian in its theological premises. The powers, or gods, in the Cosmere are 16 “shards” of a single destroyed Creator god.

In the end, there is no God in the Christian sense in Mistborn. Sanderson’s Creator has been shattered into 16 forces, which men have assumed, making them demigods of sorts. Sanderson is still working on the series, so only time will tell how he concludes the theological side of his Cosmere.

Conclusions with a little help from C. S. Lewis

Master fantasy writers George MacDonald and C. S. Lewis believed that the purpose of fantasy was to enter another world, learn truths in that world, then bring them back to your own world to help live a good life. Applying this to Mistborn, what truths might your children bring back through the wardrobe, or perhaps in this case through the mists? Well, all the postives I mentioned above: self sacrifice, loyalty, choosing the good even against seemingly insurmountable odds. But on the other hand, they will also have spent quite a lot of time in a rather confusing theological headspace. It’s definitely a tradeoff, and not one I’d recommend except for older, mature teens.

So if you have older, mature teens who really love fantasy and want to read Mistborn, here’s what I’d recommend doing first: make sure your teens are solidly grounded in Catholic theology. Be sure they have the maturity to not be seduced by the mists into applying any of the false theology of the Sanderson universe to our world.

For other great books for Catholic teens, check out my Book Lists!

retro cupboard with painted boxes and emblem

Review of “100 Cupboards” Series

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Synopsis

I’ll admit it: I actually enjoyed the 100 Cupboards books. This fast-paced series from N. D. Wilson has some good depth in terms of world-building and some great themes. The adventure begins when nervous, quirky 12 year old Henry discovers a wall of cupboards hidden behind the drywall in his uncle’s attic. With the help of his cousin Henrietta, he learns the secret of traveling to other worlds through the cupboards. In the process, he accidentally frees an evil sorceress, finds the world he came from, and is reunited with his long lost family. In the sequels, Dandelion Fire and The Chestnut King, Henry and his family fight the evil sorceress to save their world from destruction. Although I enjoyed this engaging series, I have a few reservations, especially considering the target audience age. This is a series where parents need to check their own comfort level with my “cons” list below.

Pros

One huge positive in 100 Cupboards is the unequivocal good versus evil theme. In a kids’ fantasy series, I appreciate Narnia-esque clear-cut villains. In 100 Cupboards, the antagonist is the terrible sorceress Nimiane. She wants to gain power by draining all living things of life. On the other side, you have Henry’s family trying to stop Nimiane in a desperate bid to save their world and protect their freedom.

My favorite theme in 100 Cupboards is the power of a loving family. Throughout his adventures, Henry is supported and empowered by his parents, aunt, uncles, grandmother, cousins, and siblings. In many ways, this series is a celebration of the special “magic” of a large, loving family network.

Another great theme is growth in virtues, especially courage. Henry is a timid 12 year old at the beginning of the series. His overprotective adoptive parents have kept him in bubble wrap his whole life. He can’t even throw a baseball. As the books progress, Henry grows tremendously in courage, resourcefulness, and unselfishness. He becomes a Christ figure in some ways, showing willingness to risk or lay down his life for his friends and family.

Cons

One negative in 100 Cupboards is the ambivalence about magic. There’s a ton of debate about “magic” in Catholic circles. Some of the arguments I’ve heard about magic include: magic is good, magic is always bad, magic is sometimes bad, magic is ambivalent, magic is from the devil, and magic is a type or use of natural wisdom. Unfortunately, I don’t know that there’s a clear cut answer to this question; different authors use the word “magic” to mean vastly different things, so really there’s no substitute here for a close reading of individual authors.

In 100 Cupboards, the magic question is far from clear cut, which is one reason I hesitate to hand it to the young audience. In the first book, magic is a dark power used by the witch and her minions. But in subsequent books, magic is also used to mean various things. For example, the word magic is also used for an innate power which Henry and some of his family possess to manipulate natural elements such as plants, wind, and water. And magic is also used to describe the fairen race’s special powers. Overall, this implies that in 100 Cupboards magic can refer to any type of unusual power.

Now here’s the pivotal point: there’s this evil object everyone is looking for in Book 3 since it’s the root source of Nimiane’s power: the Blackstar, an ancient orb which holds imprisoned dark jinns (demons, as far as I can tell). Henry eventually receives the Blackstar as part of a trade and uses it to help defeat the witch Nimiane, drawing strength from it, then hurling it into the witch. Now this, I didn’t see as a positive. It’s never a good lesson when the good character uses an evil object/means to attain a good end.

I was really disappointed that this was the resolution of the “defeat Nimiane” problem. I was all excited for a Christ-like sacrificial death for his family and friends (Henry was willing). Or even a tribute to the power of love: Henry defeating the witch with the help of his family’s love. Or better yet a simple good triumphs over evil: Henry defeats the witch because good is more powerful than evil. So that ending was a major bummer in my opinion and really undermines the other positives in 100 Cupboards.

Other negatives are mild sibling bickering and snotty behavior in book 1, and a decent amount of violence and suspense. The violence isn’t described graphically as a general rule. It’s mostly offscreen, along the lines of someone seeing the knife coming, then fade out. However, lots of people die, including some minor characters. There’s also quite a bit of suspense and scariness, including: a witch who drinks blood, witch dogs, possessed men with fingers growing out of their skulls, kidnapping, disturbing dreams, souls being separated from bodies, and Henry and his family frequently being in danger of imminent death.

In Conclusion

100 Cupboards has many positive aspects, countered by a few major negatives. I think it’s the sort of series that is often read at too young an age; it’s often recommended for children as young as 8, which I think too young for these type of themes and level of suspense. For older readers (11+ perhaps) it could be enjoyed with some parental discussion about the problem with the use of evil means to a good end. Or you could skip it, and enjoy some better fantasy series I wholeheartedly recommend. Check out my list Beyond Narnia: More Great Fantasy Series for Catholic Kids and Teens for ideas!

Review of “Adrastea”

Adrastea book cover

Adrastea is a thrilling new fantasy novel by Anastasia Vincent. This exciting coming of age novel is inspired by some of my favorite high fantasy authors like Tolkien and Lewis. I also saw resemblances to the popular Wingfeather Saga. Teens (and adults) who enjoy Wingfeather, Narnia, and Lord of the Rings will certainly enjoy Adrastea!

This post contains Amazon Affiliate links.

In-depth World Building

One of the best things about Adrastea is its well-developed fantasy world. This first book in The Annals of Orbis is set primarily in Arietis, a kingdom populated by Cievo: tree-dwelling people with antlers. Other inhabitants of Orbis include Humans, Elves, Snow Sprites, and Shefro. Each of the five kingdoms of Orbis has its own language, terrain, and race.

Betrayal and Exile

The action in this first book centers on the young Cievo Princess Adrastea. After witnessing her parents’ brutal murder at the hands of a human, she flees for her life. Finding unlikely allies in a human and a crippled Cievo, Adrastea survives and even thrives in exile. Naturally, she is determined to avenge her parents. But will revenge truly bring her peace?

Adrastea embarks on a journey to find her parents’ killer. But soon she finds her journey complicated by unlikely allies, betrayals, and new friends. This novel has a touch of mystery, lots of action and adventure, and several clever plot twists that will surprise you!

Classic Fantasy Themes

In high fantasy tradition, there are the classic themes of betrayal, redemption, and sacrifice. Like Lord of the Rings, there is inter-racial tension between the different inhabitants of Orbis. Adrastea has to move past her prejudice towards humans to work with her allies to find her parents’ murderer.

Coming of Age Story

This is a coming of age story which follows Adrastea from age 13 to 18. Adrastea’s transformation from troubled, attention-seeking child to mature young adult is well-written and will resonate with teens. Her friendships with kind, noble people of multiple races help her grow and learn to think past her own selfishness.

Strong Female Characters

I appreciated that this fantasy story focused on several strong female leads with a variety of personalities. Of course there’s quiet, moody Adrastea, but she is balanced with other female characters. There’s kind Aleta, a crippled girl who befriends the troubled young princess and refuses to be pushed away. There’s cheerful Daphne, an acrobat on a mission to save her sister. And then there’s exuberant Abene, who brings joy and friendship into Adrastea’s life.

A Variety of Villains

Similarly, Adrastea is far from one-dimensional in its take on evil. The cast of villains is quite diverse. There’s a cunning, evil sorceress, and there’s a greed-blinded uncle. There’s a hurting decoy prince who is manipulated by his wounded vulnerabilities. And there’s the Grapevine: a crew of ruffians. And there’s another crew of raiders with their own brand of justice and loyalty. Of course, there’s also Adrastea’s betrayer (no spoiler about who it is). With its diverse cast of antagonists, Adrastea keeps you guessing throughout about who the ultimate mastermind is.

Any content?

Parents will want to know that there is some amount of violence. The deaths are not graphically described, but people do die, sometimes at teenagers’ hands. I would compare the level of violence as comparable to Narnia and Wingfeather, so most teens should be fine.

There is no sexual content, no language, no alcohol or drug use.

Overall, this is a very clean book. Parents can feel safe giving their teens this creative, fast-paced new fantasy novel!

Adrastea is available in paperback, on kindle, and readable for free on Kindle Unlimited.

Adrastea back cover with blurb

Review of “The Books of Bayern”

Goose Girl Cover, Books of Bayern Review

After thoroughly enjoying and reviewing Shannon Hale’s Princess Academy trilogy, I’ve been working my way through her Young Adult series, The Books of Bayern. Like Princess Academy, there is much to admire in the Books of Bayern. These books have a similar focus on strong female characters, the importance of friendship, and sacrifice. They are overall a clean and captivating fantasy series that older teens will enjoy.

This post may contain Amazon affiliate links.

The Premise

The Books of Bayern are set in a fantasy world where certain people are given the “gifts” of being able to communicate with and even control animals, wind, fire, water, or people. In the first book, The Goose Girl, Princess Ani finds her throne usurped by a ruthless imposter who uses her gift of people-speaking for evil. Ani’s gentle spirit wins her friends, and these friendships prove as important as her own gift of wind-speaking in regaining her throne. And, of course, winning the heart of the heir to the throne.

The subsequent books, Enna Burning, River Secrets, and Forest Born, have similar plotlines about consciously choosing to use your gifts for good or evil, friendships, and young love. Each features a unique, strong heroine: gentle Ani, fiery Enna, smart Dasha, and shy Rin. Each heroine must learn to control her gifts and use them for good.

Positives Themes

Overall, these books have inspiring, positive themes for older teens. Free will is one major theme. Ani and Dasha consciously choose to use their talents to benefit others. Enna misuses her gift at first, but repents and resolves to never harm another person again. Rin also struggles with her power to manipulate others but chooses to not use her gift rather than use it for evil. Always, personal choice and responsibility are upheld.

Other major themes include friendship, loyalty, and sacrifice. Friends undergo great dangers to help one another. Ani saves Enna’s life in the second book at the risk of her own. There’s also a theme of sacrificing for country. Enna and Razo are willing to undertake a dangerous diplomatic mission in the hopes of preserving a fragile international peace.

Another great theme is mercy and forgiveness. On many occasions, Ani, Enna, and their friends go the extra mile to attempt to capture enemies without having to kill them. These heroines have an innate respect for human life, even if it’s the life of a sworn enemy. They even attempt to save Ani’s nemesis throughout the series. They also extend mercy and forgiveness to one another with grace.

Although the first three books have romantic plot aspects with main characters pairing off, I appreciated that Hale deviated from this pattern in the fourth book by having Rin remain single for now. Rin is more troubled by her gift than the other heroines, and makes a very mature choice to refrain from relationships for the time being to work on improving herself.

A Few Criticisms

Although the themes are mostly positive in The Books of Bayern, there are a few potential areas of concern for parents of tweens and younger teens.

These are fantasy-adventure-romance stories, so invariably there is a certain level of romantic exchanges and kissing. Overall, these exchanges are not particularly graphic. No more than the occasional passionate kiss. But teen romantic love is a definite plot aspect, so if you have a younger teen you don’t want focusing too much on romance, skip these for now.

Along the same lines, there are a few occasions where bad guys leer at or threaten the heroines where there are definite sexual harassment undertones. There are also a couple occasions where even the good guys notice a girl’s figure or beauty in a somewhat objectifying way.

There’s also a decent amount of violence, especially in the second book, when Enna gets too obsessed with burning and revenge and starts setting people on fire. More sensitive younger teens might not like the death toll in these books.

Overall, A Fun Fantasy Series for Mature Teens

Teens who enjoy fantasy and adventure will enjoy these books as light, overall uplifting reads. Given the caveats above, I recommend them for older teens versus tweens and younger teens. Tweens and younger teens will appreciate the Princess Academy books much more!

For more of my favorite books for teens, check out these lists:

Concerning Turkish Delight

Turkish Delight scene, the Lion, the Witch, and the Wardrobe

One of the tags I use here on GoodBooksforCatholicKids.com is Turkish Delight. This tag, and indeed the book review portion of the blog, was inspired by a particular chapter in C. S. Lewis’s The Lion, the Witch, and the Wardrobe titled “Turkish Delight.” I’ve read The Chronicles of Narnia at least a dozen times, and over these many re-reads I began to see an analogy between Turkish Delight and certain books.

“Turkish Delight”

In the chapter “Turkish Delight,” Edmund enters Narnia for the first time and almost immediately meets the White Witch. She offers him food and he asks for Turkish Delight, which she magically produces. Lewis describes the confection in mouth-watering fashion: “Each piece was sweet and light to the very center and Edmund had never tasted anything more delicious.” But really, of course, the candy was quite dangerous, even deadly: it confused the eater’s mind and eventually leads to death.

“While he was eating the Queen kept asking him questions. At first Edmund tried to remember that it is rude to speak with one’s mouth full, but soon he forgot about this and thought only of trying to shovel down as much Turkish Delight as he could, and the more he ate the more he wanted to eat, and he never asked himself why the Queen should be so inquisitive. . . .

[T]his was enchanted Turkish Delight and anyone who had once tasted it would want more and more of it, and would even, if they were allowed, go on eating it till they killed themselves.”

~ The Lion, the Witch, and the Wardrobe, by C. S. Lewis

Of course, the reader can easily extrapolate the symbol of Turkish Delight to apply to many categories of temptations and vices. For me, though, Turkish Delight always symbolized a certain type of book: easily inhaled, pleasant, addictive, and with poisonous content that killed the soul.

Weakening and Addictive

In The Lion, the Witch and the Wardrobe, the Witch offers rooms full of Turkish Delight- unlimited light, easy pleasure- in exchange for Edmund bringing her his siblings. At first, it’s hard to imagine how Edmund can be willing to trade his siblings and soul for more candy. But if you consider that Lewis is using Turkish Delight as an allegory for temptation and sin, the puzzle of Edmund’s actions becomes clearer. A temptation succumbed to is a sin, and sin weakens the soul. So Turkish Delight weakens Edmund’s ability to clearly discern the good and withstand future temptations. Lewis describes that after eating the enchanted food, Edmund starts “becoming a nastier person by the minute.”

Turkish Delight and Books

On my blog, books tagged Turkish Delight are examples of unwholesome literature that results in weakening of the soul. Good literature has great power to inspire positive changes in mindset. On the flip side, unwholesome literature results in bad attitudes and negative behavior changes. As a case in point, after my popular Review of Diary of a Wimpy Kid came out, I had several parents reach out and tell me how they knew their must be something wrong with the book from their children’s worsening behavior after reading it.

Ruining Appreciation of the Good

Later in The Lion, the Witch, and the Wardrobe, Edmund can’t enjoy a delicious, wholesome meal when he returns to Narnia. At the Beaver’s House, he can’t appreciate the simple but delicious food he was served:

“He had eaten his share of the dinner, but he hadn’t really enjoyed it because he was thinking all the time about Turkish Delight- and there’s nothing that spoils the taste of good ordinary food half so much as the memory of bad magic food.”

The Lion, the Witch, and the Wardrobe by C. S. Lewis

How many kids can’t seem to enjoy classics like Tom Sawyer, The Melendys, Swallows and Amazons, Treasure Island, or Little Britches anymore? In many cases, I think this is the result of exposure to Turkish Delight style literature.

How to avoid Turkish Delight books?

Inevitably, your children will eventually stumble upon books that are of the Turkish Delight category. The best way to help your children develop the ability to recognize and avoid books which are unwholesome is to help them develop an appetite for good books. How? Buy great books. Borrow them from the library or a friend if you can’t buy them. Read them aloud to your little children, and have them available for your older children. Need ideas of great books? Check out my Books Lists for thousands of ideas!

Have a child who loves Narnia? Look at this list of great fantasy series for Catholic kids and teens:

Review of “The Lunar Chronicles”

The Lunar Chronicles

In The Lunar Chronicles by Marissa Meyer, fairy tales meet science fiction. In this exciting series, a deadly disease is ravaging earth, a totalitarian moon queen is threatening war, and true love wins as some creatively portrayed princesses find their princes. These popular books are clearly aimed at teenagers, and the question is: are they indecent, innocent, or somewhere in between?

The Biggest Positive

The Lunar Chronicles had a surprising number of positive aspects. I’ll admit, I was skeptical about the covers! The best part about the series was its staunchly pro-life and anti-discrimination theme. In both earthen and lunar society, there is a lack of respect for the dignity of all human life.

On the earth, people who have received robotic parts, such as hands or feet, are considered as fair game to be used for medical research against their will. Labeled as “Cyborgs,” these people lack many of the rights and protections other earthen citizens have. Some, like the heroine of the series Cinder, are treated as property.

In lunar society, on the moon, some people are born with the “gift,” which is the ability to manipulate others by controlling their bio-electricity. Those unfortunate lunars who aren’t born with this “gift” are labeled as shells and torn from their parents at birth to be killed since they are “defective.” Some shells, like Cress, the heroine of the third book, do survive, but only as slaves.

Meyer does a fantastic job showing the appalling injustice of treating Cyborgs and shells as less than human. In our current society, this is truly a valuable theme. Any Catholic reader will immediately see parallels with abortion and euthanasia.

Other Positives

Other great themes in this book include an emphasis on showing the dangers and threat of totalitarianism and fascism. The lunar queen’s greed for power and adoration lead her to establish a dictatorship built on mind control and illusion. While her court lives in luxury, her people are impoverished and abused.

To give her full credit, Meyer does not fall into the trap of portraying the root of the queen’s evil to lie in the monarchy. Although the monarchy on the moon is portrayed as the example of fascism, Meyer fairly portrays several earthen countries as also having monarchies that are just. The problem is not the monarchy; it’s the coercion and injustice. However, in the end of the series, Cinder, crowned as moon queen, decides to dissolve the monarchy in favor of a republic.

Strong friendships have a prime place in the series. Without their mutual trust and respect, the four heroines could never have overthrown the moon queen’s evil regime. The girls’ friendships with their princes, and even android robots, become important in resolving the crisis. Loyalty, sacrifice, and love are the real tools that bring down the evil regime.

Redemption is another important motif in The Lunar Chronciles. Most of the “princes” are in need of redemption when they enter the story. Wolf is a volatile, genetically modified man with a dark past. Thorne is a cocky thief. Jacin is a palace guard with divided loyalties. The third heroine, Cress, also is plagued with guilt for working for the lunar tyrant for years as head programmer. Each of them finds redemption through sacrifice and reparation by the end of the series.

Unlike many teen novels, The Lunar Chronicles are relatively clean overall. Minimal crass language. Minimal mentions of alcohol or drugs. Almost no sexual content: there are several passionate kisses between main characters, but it doesn’t go farther than that. There are some passing mentions of “companionship” rooms and “escort” droids, which I deduced had to do with some kind of prostitute droids. But that’s it.

Sounding pretty great so far? Read on for the not so pretty.

One concern I had with the series was how Meyer handled the Red Riding Hood retelling in book two, Scarlet. Scarlet was great: fiery and tough. But Meyer chooses to twist the story so the Wolf becomes the “prince.” I have mixed feelings about this. On the one hand, there’s great redemption here: the Wolf repents when he falls for the girl and spends the rest of the books trying to help the good side. But on the other hand, I think Meyer twisted the spirit of the original fairy tale by changing the wolf into the good guy. I generally don’t like plots where a villain symbol is portrayed as a good guy. And in fairy tales, wolves are the bad guys. But then, in fairness, St. Francis did redeem the wolf of Gubbio, so there is a certain precedent to redeeming the wolf.

Also, Wolf’s genetic engineering and past training as a wolf-man brings some other challenges to the series. His wolf-like instincts make him very protective of his “mate” Scarlet, but also bring violence into their relationship. At one point, he almost rips her throat out while under the mind control of a lunar villain. The thing that bothered me here and in a few other Wolf-Scarlet scenes was there seemed to be a sensual-sexual aspect to the violence. Almost a BDSM vibe. Subtle, but there in my opinion.

The violence is minimal in the first book, but quickly ramps up in the rest of the series. There is an awful war, with some truly terrible genetically engineered creatures running amuck. There are descriptions of people cutting their throats and shooting themselves under lunar mind control. Wolf-men rip out people’s throats. Lots of bloody fights. Overall, I considered these books a little heavy on the graphic violence.

Another element in the plot that never seemed to be adequately addressed was the mind control question. Mind control is portrayed as an evil overall, yet Cinder, the heroine, frequently uses it to protect herself and others. She also uses it to fight, and sometimes, in anger, to humiliate. In contrast to Cinder, Princess Winter in the fourth book simply refuses to use mind control for any reason… until in the end she does once to save her love. The question is: if mind control is evil, is it licit for Cinder and Winter to use it to protect others? Morally speaking, if mind control is inherently an evil act, using it for a good end still makes the act evil. Food for thought.

One final negative with The Lunar Chronicles is that they’re simply not all that well-written. Yes, it’s a fast-paced, exciting plot with lots of action and dialogue. But there is little to no descriptive language to flesh out the story. These books read like what they are: typical 21st century YA fiction.

Conclusions

Overall, The Lunar Chronicles are a gripping, fairly clean series with lots of action, romantic tension, and a great pro-life theme. But on the other hand, they’re not particularly well written, not great literature, and have some concerning elements like the confusion about mind control, sensual violence at times, and overall graphic violence. Worth reading? Maybe if you have an older teen who really enjoys science fiction and wants to use them for a book report to delve into some of the controversial topics. Otherwise, I’d give them a pass.

(If you do happen to want to buy them, please use my affiliate link here for The Lunar Chronicles!)

Looking for great books for Catholic teens? Check out some of my book lists!

Beyond Narnia: More Great Fantasy Series for Catholic Kids and Teens

This post contains affiliate links. See footer for full disclosure.

What kid doesn’t love The Chronicles of Narnia? As an 8-12 year old, it was one of my favorite series, and I still enjoy re-reading it as an adult.

The question is: what to read after Narnia? What other fantasy books can satisfy after such a wonderful series?

This question is particularly tricky given the murkiness about magic, magical powers, witches, and sorcerers commonly found in popular contemporary fantasy series. More insidious but even more harmful is the dualism and Gnostic worldview often normalized in fantasy series.

But don’t lose hope! Today I bring you an entire list of wholesome series for your kids and teens to devour after finishing Narnia.


The Chronicles of Prydain by Lloyd Alexander tell a wonderful coming of age story and adventure. Over the course of the five books, a young man named Taran grows from being a rebellious teen to a valiant and courageous warrior, in the process forging friendships, finding love, and helping save a kingdom.
Recommended for 10 and older.


It is hard to be surpass On the Edge of the Dark Sea of Darkness and its sequels in The Wingfeather Saga in the category of edge of your seat fantasy adventure. Check out my Review of the Wingfeather Saga for plot summary, discussion points, praise, and cautions.
Recommended for 12 and older.


Redwall by Brian Jacques has delighted generations of children with its amusing animal heroes, high feasts, and epic battles. This series is satisfyingly long: a whopping 22 books. Some of the later volumes drag, but be sure and buy the first six books at least, which are excellent!
Recommended for 10 and older.


In the Hall of the Dragon King is the first of Stephen Lawhead’s Dragon King Trilogy. Complete with heroic quests, giant serpents, fair maidens to rescue, and a chilling necromancer to defeat, this series is guaranteed to please fantasy lovers. But it also has a solid plot, well-developed characters, and a Christian worldview.
Recommended for 12 and older.


The Green Ember Series by S. D. Smith is a Narnia-like series of epic adventure and talking animals that gets bonus points for being written with a clearly Christian world view. Best of all, it is free to download as an Ebook so you can preview it before deciding whether to buy a paper copy.
Recommended for 10 and older.


E. Nesbit’s classic children’s books that blend magic, adventure, family, and outdoor fun are coming back into print. Five Children and It and The Phoenix and the Carpet are just two of her many fine books, which make great read-alouds or independent reads.
Recommended for 8 and older.


The Ruins of Gorlan is the first book in John Flanagan’s captivating 12 volume Ranger’s Apprentice Series. These exciting tales follow teenage Will and his friends as they grow from impulsive teens into capable adults. Battling evil creatures, they learn to rely on one another. Each possessing a different talent, they must learn to cooperate. The characters do grow older during hte series, so this is a great series to dole out a book at a time as your child gets older.
First book recommended for 10 and older.


Out of the Silent Planet, Perelandra, and That Hideous Strength by C. S. Lewis are the clear must-reads on this list in my opinion. Similar to Narnia in that they are allegorical, they are written for an adult audience and explore deeper questions about creation, the nature of man, and the will for power.
Recommended for 14 and older.

    
To conclude with the master, everything by J. R. R. Tolkien is naturally recommended for fantasy fans. The Hobbit and The Lord of the Rings Trilogy should be a part of any home library. Don’t forget The Silmarillion and The Great Tales of Middle-earth also! They provide fascinating details about the making of middle earth and the tales of many of the heroes mentioned in passing in the Lord of the Rings.