What kid doesn’t love The Chronicles of Narnia? As an 8-12 year old, it was one of my favorite series, and I still enjoy re-reading it as an adult.
The question is: what to read after Narnia? What other fantasy books can satisfy after such a wonderful series?
This question is particularly tricky given the murkiness about magic, magical powers, witches, and sorcerers commonly found in popular contemporary fantasy series. More insidious but even more harmful is the dualism and Gnostic worldview often normalized in fantasy series.
But don’t lose hope! Today I bring you an entire list of wholesome series for your kids and teens to devour after finishing Narnia.
The Chronicles of Prydain by Lloyd Alexander tell a wonderful coming of age story and adventure. Over the course of the five books, a young man named Taran grows from being a rebellious teen to a valiant and courageous warrior, in the process forging friendships, finding love, and helping save a kingdom.
Recommended for 10 and older.
Redwall by Brian Jacques has delighted generations of children with its amusing animal heroes, high feasts, and epic battles. This series is satisfyingly long: a whopping 22 books. Some of the later volumes drag, but be sure and buy the first six books at least, which are excellent!
Recommended for 10 and older.
In the Hall of the Dragon King is the first of Stephen Lawhead’s Dragon King Trilogy. Complete with heroic quests, giant serpents, fair maidens to rescue, and a chilling necromancer to defeat, this series is guaranteed to please fantasy lovers. But it also has a solid plot, well-developed characters, and a Christian worldview.
Recommended for 12 and older.
The Green Ember Series by S. D. Smith is a Narnia-like series of epic adventure and talking animals that gets bonus points for being written with a clearly Christian world view. Best of all, it is free to download as an Ebook so you can preview it before deciding whether to buy a paper copy.
Recommended for 10 and older.
The Ruins of Gorlan is the first book in John Flanagan’s captivating 12 volume Ranger’s Apprentice Series. These exciting tales follow teenage Will and his friends as they grow from impulsive teens into capable adults. Battling evil creatures, they learn to rely on one another. Each possessing a different talent, they must learn to cooperate. The characters do grow older during hte series, so this is a great series to dole out a book at a time as your child gets older.
First book recommended for 10 and older.
Out of the Silent Planet, Perelandra, and That Hideous Strength by C. S. Lewis are the clear must-reads on this list in my opinion. Similar to Narnia in that they are allegorical, they are written for an adult audience and explore deeper questions about creation, the nature of man, and the will for power.
Recommended for 14 and older.
To conclude with the master, everything by J. R. R. Tolkien is naturally recommended for fantasy fans. The Hobbit and The Lord of the Rings Trilogy should be a part of any home library. Don’t forget The Silmarillion and The Great Tales of Middle-earth also! They provide fascinating details about the making of middle earth and the tales of many of the heroes mentioned in passing in the Lord of the Rings.
Most teenage girls go through a stage of craving romance novels. Beware of letting your daughter even browse the romance section of your library these days though! She will be bombarded with sensual images on covers and graphic content within. Even many “Christian” romances are heavy on the sensuality and low on any sort of inspiring theme.
What should you look for in a romance for a Catholic teenager? There are the obvious “no’s”: no graphic sexual content, no positive portrayal of premarital sex, no living together before marriage, no dark drama about failing marriages. But a worthwhile romance is so much more than a list of “no’s.” Great romances showcase the true nature of love and humanity.
What is true love? It’s desiring the good of the other. Some of the greatest romances ever written explore this theme, like A Tale of Two Cities, in which Sydney Carton undergoes an incredible redemption and gives his life for the good of the woman he loves. Truly great romances will portray true love as selfless, giving, or redemptive. These type of romances often show the love between a man and woman as reflecting the love of God for us.
Is any human being perfect? Is love a feeling or a choice? Great romances do not portray the protagonists as perfect in every way. They often show that all people are imperfect, and forgiveness is the way to happiness. Or that true love isn’t just a magical feeling, but sticking together when life is tough and rekindling the flame of love in the face of adversity.
Are humans made for solitude or community? As much as we might sometimes envy the hero and heroine of Riders of the Purple Sage who push a boulder and cut off the rest of the world, this is not reality. Worthwhile romances usually have greater depth than a simple boy-meets-girl-engagement-marriage story line. They examine relationships with family, community issues, world events, or other broader topics.
Fortunately for your teenage daughters, there are plenty of novels which combine love stories that range from passionate to funny with worthwhile themes.
Here are a few of my favorite novels for teens that have themes about true romance and love.
The Scarlet Pimpernel by Baroness Orczy is such a wonderful combination of adventure, intrigue, and romance. This classic novel has a strong romantic plot about an estranged husband and wife falling in love with each other that teens will love. And it also has great themes about sacrificial love and forgiveness that parents love to see their kids reading.
The Story of the Trapp Family Singers by Maria Augusta Trapp is particularly powerful because it a true story. The real Maria who inspired The Sound of Music writes with a simple, charming voice how she met her future husband and family. This is a love story about Maria and the Captain, but also an example of a loving relationship in the context of family, community, and society.
They Loved to Laugh is another love story where love is experienced on several levels. It has great themes about family, friendship, and forgiveness.
The Rose Round is by the wonderful Meriol Trevor, a fantastic Catholic author who wrote one of my favorite children’s series, The Letzenstein Chronicles. The Rose Round is intended for a teen audience and follows a brother and sister pair who both find friendship and love in unlikely places. It has a great theme about looking beyond physical appearance to determine personal worth.
The Light Princess by George MacDonald is a classic fairy tale about a princess who loses her gravity, physically and emotionally. Only true sacrificial love from a prince can restore her to health and balance.
This list would be incomplete without some Louisa May Alcott! Though Little Women focuses mostly on sister-relationships, other Alcott books like Rose in Bloom and An Old-fashioned Girl are about finding love, sometimes in unexpected places. Rose and Polly learn to remain true to their beliefs and wait for a man wiht a pure heart.
Mara, Daughter of the Nile is an exciting historical fiction novel about a fiery teenage girl who becomes deeply involved in palace intrigues, caught between two rivals for the Egyptian throne. Oh, and of course there is romance too. I love how this story shows Mara’s growth from utter selfishness to understanding the sacrificial nature of love.
Manalive by G. K. Chesterton is another book that fits many genres. I call it a romance for two reasons. First, because it teaches the reader that everyday life is romantic. Second, because a third of the book is about two characters falling in love and fighting in court to be allowed to marry.
Here are some novels with romantic plots I recommend for teens over 14.
Funny and memorable, My Heart Lies South is a true story about a young American journalist who falls in love on a trip to Mexico and ends up staying. Readers will love this amusing love story that also touches on the difficulties of assimilating into a different culture and family.
Do not assume all of Gene Stratton-Porter is appropriate for teens, but Laddie: A True Blue Story is really a charming story told by Laddie’s Little Sister, who explores themes about family, nature, redemption, and forgiveness. She also recounts how Laddie fell in love with and won the heart of a Princess.
Freckles is another great book by Gene Stratton-Porter. Similar to Laddie in many ways, a simple lad must win the heart of a high-born girl. A charming romance, and a great story of personal growth and overcoming disability.
The Robe is the story of one man’s quest for love and truth. He finds it in Christ. But he does also find love with a special young woman, which teen readers will enjoy.
The James Herriot Books are the funny and endearing stories of everyday life as a country veterinarian. James Herriot weaves his story of wooing and winning his wife into his animal anecdotes.
[Parental warning: mild language]
Everyone knows that teenage girls should read Pride and Prejudice, but don’t stop there. Read The Jane Austen Collection for more classic stories about finding love, with a side of social commentary and comedy.
[Parental warning: mentions of out of wedlock relationships, illegitimate children, mistresses]
The Virginian is a classic western full of cowboys, shoot-outs, and true love. With his quiet humor and gentle nature, the reader is rooting for the Virginian to win the lady.
A Tale of Two Cities is, as I mentioned above, a stellar example of how true love is sacrificial. No-good Sydney Carton never does get the girl, but his pure love for her ends up being his redemption.
P. G. Wodehouse is best known for his Jeeves and Wooster novels, but he also wrote some hilarious romantic comedies such as the Adventures of Sally. Many of his Blandings Castle novels also include a strong romantic plot, such as in Heavy Weather and Summer Lightning.
A School for Unusual Girls: A Stranje House Novel is the first in a series of historical fiction novels about the Napoleonic Wars. Each book includes a love story, which is kept carefully PG. Strong female heroines abound in these novels.
[Parental warning: one of the girls is wilder and does break some of the rules, occasionally is described as dressing in a more risque fashion, etc. There is also mention of someone keeping a mistress, which is portrayed negatively.]
[Parental warnings: one scene of attempted date rape in the very first book]
Older teens (16+) will enjoy these more difficult novels.
A classic mystery, The Woman in White by Wilkie Collins is driven by a romantic interest. The protagonist and narrator must solve the mystery of who the woman in white is in order to gain a happily ever after with his wife.
Andrew Peterson’s Wingfeather Saga consists of four volumes: On the Edge of the Dark Sea of Darkness, North! Or Be Eaten, The Monster in the Hollows, and The Warden and the Wolf King. I recently enjoyed reading all four books for the first time, and was quickly captivated by Peterson’s realistic characters and the fascinating world of Aerwiar. The Wingfeather Saga is the story of a family: the former royal family of Anniera, now in hiding from the great evil one, Gnag the Nameless. Each of the three children- Janner, Kalmer, and Leeli- has a special gift and role to play in saving their world from the great evil. Children and teens who love fantasy will certainly enjoy these novels with a subtle yet decidedly Christian world view.
In the tradition of the Chronicles of Narnia, the Wingfeather Saga is not overtly pushing a Christian agenda, yet details throughout reflect the author’s Christian worldview. “The Maker” is referenced repeatedly throughout the series as the creator of the world of Aerwiar. In times of need, the children call on the Maker for aid, and sometimes receive it. There are many references to all things ultimately being in the Maker’s hands. There is even a major theme throughout of the Maker bringing good out of evil:
“Gnag bends things for breaking, and the Maker makes a flourish! Evil digs a pit, and the Maker makes a well! That is his way.”
There are also many parallels to the Biblical story of Creation in the history of Aerwiar: a first couple created by the Maker, evil entering the world through misuse of free will, and so on.
SELF-SACRIFICE AND REDEMPTION
In line with the Christian worldview, major themes in The Wingfeather Saga are self-sacrifice and redemption. Janner is repeatedly placed in situations where he must choose between self-preservation and protecting his siblings. At first he resents this duty to sacrifice himself, but by the end of the series recognizes his selfishness and embraces the Biblical ideal of laying down one’s life for one’s brother.
There are several characters who undergo redemption of various sorts. For example, Kalmar is “fanged” (changed into an animal) when in a time of weakness he loses hope and succumbs to the desire for power. With Janner’s help, Kalmar repents of his sin and regains humanity in the end. Another notable redemption is of the villain in the series, Gnag the Nameless. Peterson accomplishes the difficult feat of portraying Gnag as utterly evil, yet by a strange concatenation of circumstances redeeming him in the last seconds of his life.
Another wonderful aspect of The Wingfeather Saga is its positive portrayal of family love and loyalty. The three siblings overcome jealousies and resentments to forge a close bond. The relationship between the brothers, Janner and Kalmar, is particularly noteworthy for its loyalty and sacrificial aspect. Their mother, Nia, is truly awesome: loving, supportive, protective, always willing the good for them. Their father, Esben, is believed to be dead, but eventually comes into the story and (here’s the self-sacrifice theme again) gives his life to save his children’s.
THE POWER OF MUSIC
Music as healing, music as an art form, music as a weapon. Music comes into the book over and over as a powerful force for good. Leeli is a skilled whisle-harpist, and her music saves lives, tames animals, and can carry messages. The pure of heart are roused to courage and imbued with energy when they hear her music. The evil cringe and cover their ears at the beauty of her music.
One of the trickiest parts of finding good fantasy novels is evaluating the “magic” factor. What does the author mean by magic? Does he equivocate about whether magic is good or evil? Does he encourage children to dabble in magic?
I found that Peterson had a unique approach to the magic question. In The Wingfeather Saga, there are no spells, potions, or witches’ hats. Instead, Peterson uses the term “magic” to be more synonymous with “mystery.” Nia explains the magic of Leeli’s music to her children:
“What’s magic, anyway? If you asked a kitten, ‘How does a bumblebee fly?’ the answer would probably be ‘Magic.” Aerwiar is full of wonders, and some call it magic. This is a gift from the Maker- it isn’t something Leeli created or meant to do, nor did you mean to see these images. You didn’t seek to bend the ways of the world to your will. You stumbled on this thing, the way a kitten happens upon a flower where a bumblebee has lit. … The music Leeli makes has great power, but it is clear the Maker put the power there when He knit the world.”
Portraying magic as synonymous with a mystery may be slightly confusing for younger readers, so I would discuss how Peterson portrays magic with my children when they read this book.
I ascribe to Michael O’Brien’s views on dragons (see my post Concerning Dragons), so I approached a series which I knew contained dragons with major misgivings. I found Peterson’s views on dragons slightly nebulous. He doesn’t try to make them good, portraying them as having done many dark deeds such as sinking the mountains and destroying the countryside. The primary dragon character, Yurgen, is vengeful, destructive, and lusts for power. But Peterson also doesn’t consider all dragons as inherently evil. Upon hearing Leeli’s music, a few dragons are even moved to contrition for their past evil deeds and end up helping in a final battle for Aerwiar.
Overall, the dragons come into the story fairly infrequently and are not major characters. The question is whether the “redemption” of a few dragons is a form of demythologizing? Does it contradict the centuries of western tradition which use the dragon as a symbol for evil? I think Peterson does unintentionally contradict tradition here a bit. But given how overwhelmingly Christian and wholesome these books are as a whole, this is another time where I would discuss the dragon question with my children when they read the books.
WHO SHOULD READ IT?
Overall, The Wingfeather Saga is refreshingly clean from any sexual content, adult humor, and language. There are, however, loads of violent battles. Note that the descriptions of the battles are not graphic like in “The Maze Runner” or “The Hunger Games”. But still, you have Janner and Kalmar killing many fangs in self-defense. A couple beloved characters such as Leeli’s dog and grandfather also die. Given the violence and the need for a nuanced discussion about magic and dragons, I would recommend this book for those over 12.
The Drovers Road Collection by Joyce West could be described as a New Zealand Little House on the Prairie. I cannot say enough good things about this trilogy, yet sadly it is little known in the United States. Tweens and Teens who love adventures, a story with a strong female protagonist, and a generous dose of humor, will enjoy Drover’s Road.
These adventures are narrated by Gay Allan, a lively and adventurous girl growing up on a New Zealand sheep station. The trilogy begins with Gay and her three cousins’ humorous escapades as they “help” their Uncle Dunsany on his ranch, deep in the Maori country. The cousins may be far from civilization, but life is never quiet at Drover’s Road with its colorful cast of characters both human and animal. In Cape Lost, Gay describes growing into a young woman, experiencing first loves and heartbreaks. But don’t worry; Gay, true to her name, is always resilient and able to see the humorous side of her adventures as she comes of age. The final book, The Golden Country, is Gay’s story of taking over a sheep station of her own as a young adult.
What makes these stories so worthwhile and memorable is Gay’s worldview, wise beyond her years yet still joyful. Growing up on a sheep station, she is used to hard work and responsibility. Yet she is also gentle-hearted and merry by nature. In each chapter, whether funny or poignant, a disaster or celebration, she provides a lesson for the reader without moralizing.
Drover’s Road is a story of a different era a century ago, when cell phones and the internet were not even imagined. Gay and her cousins fill their days taming wild horses, building a hideaway under a waterfall, hunting treasure, and playing matchmaker to their various relations. I think reading about their adventure-filled, joyful lives is a great inspiration to today’s teens and tweens to turn away from their screens and consider what real adventure might look like.
Despite being an old story when it comes to technology, Gay’s atypical family situation may strike a chord in today’s kids. Gay and her three cousins are all being raised by their young uncle and a distant cousin, “Aunt” Belle. Their parents all either died or abandoned them. Though they have an idyllic life on the cattle station, the cousins still experience a sense of missing and emptiness over their lost parents. Later in the books, Gay delves into her difficult relationship with her father, whom she struggles to forgive.
The romance is light and clean, and there is no language or violence. This wonderful book is perfect for twelve and older. The only sad part is that it is out of print so you have to buy it used here, or you can buy it as an e-book from publisher Bethlehem Books or on Amazon.
A 2018 offering from reputable Sophia Institute Press, Saints Chronicles Collection 1 is obviously an attempt to make the stories of saints from ancient and modern times compelling to today’s tweens and teens, who often prefer graphic novels and comic books to traditional chapter books. This is the first volume of four collections that Sophia is publishing, all similar comic book style volumes of about 120 pages. Each collection contains the stories of about five saints. This first collection tells the stories of Saint Patrick, Saint Jerome Emiliani, Saint Elizabeth Ann Seton, Saint Henry Morse, and Saint Joan of Arc. Saints Chronicles Collection 2 relates the stories of Saint Nicholas, Saint Francis of Assisi, Saint Brigid of Ireland, Saint Pachomius, and Saint Anne Line.
These collections are visually arresting and fast-paced. I appreciated the focus question at the beginning of each story which hints at the theme to carry away. Though the stories themselves are not heavy on details, each one concludes with a one page summary of the life of the saint with important dates and life events in a timeline format.
The selection of saints is a thoughtful blend of the well known Saint Patrick and Saint Francis of Assisi combined with the unknown Saint Henry Morse and Saint Anne Line. I do wish the publisher had picked a few saints from more recent times like Saints Jacinta and Francisco Marto or Saint Maximilian Kolbe. Maybe in a later collection.
This collection is appropriate for children as young as 7 or 8 in most regards, though if you have a sensitive child be forewarned. The saints are often in mortal danger or actually die in the course of the story. However, the pictures are not gory or gratuitously violent at all. For example, Saint Henry Morse is last shown at the gallows about to be hung, but not after he is hung. Saint Joan of Arc is not shown burning at the stake; the book simply says she was.
I am not personally a huge fan of the comic book style, but I know it is very popular these days! Overall, I think most people, especially tweens and teens, will find Saints Chronicles Collection 1 to be an enjoyable, informative comic book. I imagine this volume and its sequels will capture the imaginations of many children who might otherwise find the lives of the saints dull and dreary.